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Classical music and opera by Classissima

Igor Stravinsky

Tuesday, August 22, 2017


parterre box

August 17

My new philosophy

parterre boxThe classical music world loves to note beginnings and endings, so “Trove Thursday” does its part in commemorating the 250th anniversary of Georg Philipp Telemann’s death this year with a rollicking performance of his delightful comic opera Der geduldige Sokrates featuring a fine cast and the magnificent Akademie für Alte Musik conducted by René Jacobs. An epigram attributed to Igor Stravinsky about Antonio Vivaldi has occasionally also been applied to Telemann: he wrote the same concerto 500 times. This does a disservice to both wildly prolific baroque masters but music by the Red Priest remains enormously popular unlike that of his German counterpart. But listening to his Wassermusik—Hamburger Ebb und Fluth //www.youtube.com/watch?v=xAuSuKoVcT0 it’s difficult to understand why this thrilling piece isn’t performed nearly as often as Handel’s equivalent Water Music. There are a surprising number of recordings of works from Telemann’s vast output of vocal music especially his sacred cantatas. I haven’t yet heard but will seek out Roberta Alexander’s version of Ino with Nikolaus Harnoncourt, a work also recorded by Gundula Janowitz. //www.youtube.com/watch?v=sCVMd6f6H7c I’m also tempted by if only for its swell name a CD of secular cantatas entitled “O Woe! O Woe! My Canary is Dead!” featuring soprano Dorothee Mields. And, of course Telemann wrote 33 operas, the most “famous” being a two-character comic intermezzo Pimpinone written eight years prior to the quite similar La Serva Padrona of Pergolesi. While revivals of 18th century operas in French and Italian continue to proliferate worldwide, those of works in German generally lag behind particularly in the US although the Minnesota Opera about 10 years ago performed the US premiere of Reinhard Keiser’s Der hochmütige, gestürzte und wieder erhabene Croesus, and the Boston Early Music Festival soon revives and then records Handel’s only extant German opera Almira. This city even saw a Telemann work, Orpheus oder Die wunderbare Beständigkeit der Liebe, done by New York City Opera in 2012. I missed that but know the opera from its 1996 Harmonia Mundi CD led by Jacobs who has also recorded Keiser’s Croesus. Like many German operas of the time, Sokrates includes arias in Italian, and Orpheus even has a few in French! Sokrates, which I first heard on Nicholas McGegan’s rough-and-ready recording of thirty years ago, was an absolute delight when I saw it at the Berlin Staatsoper in 2007. After the Berlin run, everyone traveled to Paris for a concert performance which was broadcast and is presented here. While the large cast mostly did justice to Telemann’s vivacious vocal writing, I most remember the richly sumptuous playing by the Akademie für Alte Musik, long one of the world’s best period-instrument orchestras. Anyone eager to see a German baroque opera staged should hightail it to Innsbruck where Keiser’s Die römische Unruhe, oder Die edelmütige Octavia (boy, those long titles!) featuring the excellent American countertenor Eric Jurenas will be performed next week . Otherwise you might have to wait until next spring for Telemann’s Miriways at the Staatsoper in Hamburg, the city where most of the operas mentioned including Sokrates premiered at the famed Oper am Gänsemarkt. Telemann: Der geduldige Sokrates Cité de la Musique, Paris 13 October 2007 Broadcast Sunhae Im — Rodisette/Cupido Birgitte Christensen — Edronica Inga Kalna — Xantippe Kristine Hansson — Amitta Donat Havar – Melito Matthias Rexroth – Antippo Marcos Fink — Sokrates Marteen Koningsberger — Nicia Daniel Jenz — Pitho Alexey Kudrya — Aristophanes Michael Kranebitter — Plato Sun-Hwan Ahn — Alcibiades Richard Klein — Xenophon Innsbruck Festival Chorus Akademie für Alte Musik Berlin Rene Jacobs, conductor Telemann’s Der geduldige Sokrates can be downloaded by clicking on the icons of a square with an arrow pointing downward on the audio player above and the resulting mp3 files will appear in your download directory. More than 80 “Trove Thursday” podcasts remain available from iTunes or via any RSS reader .

Meeting in Music

August 18

BOULANGER ENSEMBLE French Renaissance Music (1950)

Boulanger Ensemble French Renaissance Music Vocal and instrumental ensemble under the direction of Nadia Boulanger Original release: Decca LP DL 9629 (1950) Pristine Classical PACO 022,  (P) 2007 FLACs, inserts, notes from the original LP Mille regretz (Josquin des Pres)Ce moys de may (Clement Janequin)Helas, mon Dieu (Psalm from "Second livre des Meslanges") (Claude Le Jeune)Bon jour, mon coeur (from "Meslanges") (Orlando de Lassus)Noblesse git au coeur ("Musique 1570") (Guillaume Costeley)Quand mon mary vient de dehors (Orlando de Lassus)A declarer mon affection ("31 Chansons Musicales") (anonymous)Mignonne, allons voir si la Rose ("Musique 1570") (Guillaume Costeley)Hau, hau, hau le boys! ("31 Chansons Musicales") (Claudin de Serimsy)Revecy venire du Printemps ("Le Printemps," 1513) (Claude Le Jeune)Vous me tuez si doucement ("Chansonettes Mesurees") (Jacques Mauduit)Tu ne l'enten pas, c'est latin (Claude Le Jeune)Au joly boys ("31 Chansons Musicales") (Claudin de Sermisy)Francion vint l'autre jour (Pierre Bonnet)Le Chant des Oyseaux (Clement Jannequin) Notes by Nadia Boulanger from the original Decca LP Every work of art is a triumph of technique. From a certain happy arrangement of words, lines, colors, or sounds, beauty is suddenly born. How? It would be very difficult to say, for the essence escapes analysis. The masters of the Renaissance, admirable artisans that they were, knew this well. To be sure, always having taken pains to do a good job wherever the responsibility and the dignity of the artist were concerned, they put themselves in the hands of the gods when it came to going beyond the limits where human control ends. Even at the risk of offending some people, it is fair to assume that emotion is not the fruit of idle sentimentality but of a complete command of means. “Whoever wants to write down his dream owes it to himself to be infinitely awake” (Paul Valery). It is certain that "this secret and almost incredible power of moving hearts in one way or another," as Calvin put it, results from the very nature of the form, of melodic curve, rhythmic life, lengthening and contracting of cadences, relation of intervals, both melodic and harmonic – in short, of the thousand and one elements of which music is made.This is not the place to undertake a detailed study of these elements. The object of this short introduction is simply to invite the listener to take advantage of the joys that can be brought to him by the treasure of an art as much alive today as ever. In the preface to the first volume of his admirable collection, Maitres musiciens de la Renaissance Française, Henry Expert says: "It is a question of rescuing the music of a great century from the oblivion in which until recently its poetry was still slumbering; and, while enriching the history of art, of uncovering an unexplored comer of the French spirit." This record has been planned to highlight some representative types of this music and make a sort of synthesis of them. A few remarks to point out the outstanding characteristics of each piece will therefore be in order. Closely allied to poetry and composed almost entirely for vocal ensemble, situated in time at the boundaries of modality and tonality, counterpoint and harmony, written by men who belonged to both church and court and who were deeply influenced by the Reformation and in a different sense by the rediscovered ancients, "the musical art of the 16th century is the reflection of the mind, life, and morals of this age when social and religious institutions as well as artistic and literary traditions were clashing in a passionate conflict, when character soared, unfolding the inmost qualities of our race." (Henry Expert) 1. Mille regretz (Josquin des Pres, 1450-1521) A priceless piece, very pure example of the mode of E transposed to F sharp. Notice the still predominant role of the tenor and the extremely subtle contrapuntal details. Nevertheless, the overall effect is one of extreme simplicity. A thousand regrets that I must leave you. My heart is so full of mourning and sorrow that my days will soon come to their end. 2. Ce moys de may (Clement Jannequin, 1493-1560?) "31 Chansons musicales" (Attaignant, 1529) This little song, bright and fresh, is written in major on a double-iambic rhythmical pattern starting on the upbeat. At times the rhythm is reversed, and this slight modification produces a great effect. Notice also the three-voice passages, the imitation between the soprano and the tenor, and the varied resting places of the melody. Early one morning this beautiful month of May, I'll don my green frock and skip forth to win my lover's embrace. 3. Hélas, mon Dieu (Claude Le Jeune, 1528-1600) Psalm from the "Second livre des Meslanges," 1612 (Posthumous work) Henry Expert says: "This psalm is certainly one of the boldest, the most innovational, and also the most moving works of our music of the Renaissance: such a page honors a great artist."The voices are here doubled by the instruments, as was rather usual. "It should be noted that during the 16th century the customary practice was to accompany the vocal concert with whatever instruments were available," writes Henry. Expert. The striking effect produced by this great piece depends on the overlapping entries of the chromatic, descending motive with its succession of major and minor thirds, a superb instance of the mislabeled “false relation.” Notice also the alteration of slow dactyIs, doubly fast iambs, and anapests; the "polyrhythmic" intricate contrapuntal imitations; the plain syllabic periods; the restatement of the solemn exposition; and the final broad plagal cadence. Alas, my God, thy wrath is turned against thy servant. Terror fills my heart, Virtue is gone from me. I cry unto Thee and seek Thee everywhere. Oh God, forsake me not! 4. Bonjour, mon coeur (Orlando de Lassus, 1532-1594) “Meslanges” (1576) Every note in this peerless piece deserves attention. The rhythmic pattern of the poetry (verses of 10 feet—4 + 6—followed by. verses of 7 feet), the alternation of dark and light syllables, the repetition and displacement of the words "Bon jour "—all these spur Orlando de Lassus to discoveries of the rarest and most delicate sensitivity. The movement from modality to tonality in each phrase gives the cadences a flavor of surprise,which is heightened by the way they are introduced. We know that Ronsard sang his verses when he composed them, as he himself says. The first edition of the “Amours” was accompanied by 32 sheets of “airs notes” by various composers. "Without music," stated Ronsard, "poetry is almost graceless, just as music without the melody of verses is inanimate and lifeless." Good day, my sweetheart, my pretty one, my dear love, my gentle dove. Good day, my sweet rebel. 5. Noblesse git au coeur (Guillaume Costeley, 1531-1606) "Musique 1570" Here Guillaume Costeley appears in an unfamiliar light. Charming and sprightly poet though he was, he had also his vein of austerity and depth. The passage from major to minor that results from a chromatic movement in "Helas, mon Dieu" occurs here between two voices. "False relation," say the theorists, but composers seem to have cared not the slightest about this condemnation. Notice the ornaments that break the severity of the syllabic ensemble, the contrapuntal passages that animate it, and the syncopated imitations motivated by the words "se lier à lui." Nobleness dwells in the heart of the virtuous man. Like fructuous trees, he brings forth good fruit in due season. Evil vanishes before him, and fear melts in his presence as wax before fire. Is not this what it means to live in nobleness? Is it not to such a man that one should bind oneself? 6. Quand mon mary vient de dehors (Orlando de Lassus) Here Orlando de Lassus paints a canvas à la Breughel, bright in color, extraordinarily alive and gay, even Rabelaisian.  Ingenious musical artifices give this piece its vivacity: the dialogue at the beginning, the coming together of the two tonics G and D, the sudden entry of the four voices, and certain rhythmic juxtapositions. Whenever my husband comes home, it is my fate to be beaten. He is a jealous villain. I am young and he is old. 7. A déclarer mon affection (Anonymous) "31 Chansons Musicales" (Attaignant, 1529) This venerable modal piece, with its alteration of B flat and B natural, shows sobriety and intensity, brevity and grandeur, going hand in hand.After a slowly repeated chord (dactyl), the melody moves calmly in stepwise motion, stops on D, and then twists insistently around it. At the end of the piece this effect is made even more impressive by repetition and the imitative twining of the bass. Notice the eloquence of the bass's second phrase and later on the symmetrical ascent of the tenor (predominant throughout the whole work) that prepares the way for the expansion of the soprano. The low range, the almost constantly continuous movement of the voices, the rhythmic severity—all contribute a sort of lively immobility to this admirable composition. To declare my affection, my writing, which is full of passion, is enough. Whoever cannot regain this good, which all others surpasses, puts his hope in the Psalter, being sure of grace. 8. Mignonne, allon voir si la Rose (Guillaume Costeley) “Musique 1570" Poem by Pierre de Ronsard This is an exquisite and celebrated piece. The poem sings in every memory, the music is familiar to many; yet both sound ever new. Two elements follow each other. In the first (A), which is contrapuntal, and three-part without bass, the voices imitate each other, join together again (notice the point where all three are a second apart—G, .A, B flat), then separate anew. In the second (B), which is purely syllabic, they form little harmonic blocks, absolutely simultaneously: A+A+B+B+A+B+B.This seems a dry way to summarize this little masterpiece, but where is the point in trying to describe what it demonstrates so clearly by itself? Sweet love, let us see if the rose, which opened its crimson petals to the morning sun, has not this evening lost its bloom. Waste not your youth, for age will fade your beauty as the sun the rose. 9. Hau. hau, hau le boys! (Claudin de Sermisy, 1490-1562) "31 Chansons musicales" (Attaignant, 1629) One must not be misled: this robust, somewhat heavy drinking-song is not so simple as might be thought at first. Listen well and you will soon perceive the richness of its rhythmic combinations (binary and ternary), of its vocal grouping (massive blocks of the four voices, separated by entries bursting forth from all sides), and of its bright, open, perfect consonances. Let us take this opportunity to invite attention to what we might dare to call the "entry'" of the rests. A rest is more often the beginning of silence than merely the end of sound. It frequently has still another usage. For instance, if in a perfect triad the root is supplanted by a rest, the third tends to become a new root; if the fifth is supplanted by a rest, the root may become a new third. This elementary statement of the principle is one thing: the way it has been put into practice is another. One of the examples this piece offers of its use occurs immediately after the words "ie mv en vois" are heard in the men's voices. Once one has noticed how this process works, one will be struck by the abundance of examples to be found in virtually all subsequent music. Hau, halt, hau Ie boys! Let us pray God to guard this "gentle" wine of France. Let's drink six draughts, not only three, to clear our throats and sweeten our voices. The more we drink, the merrier we. Hau, halt, hau le boys! 10. Revecy venir du Printans (Claude Le Jeune) "Le Printemps," 1513 (Posthumous work in "Vers mesurès a l'antique") Here is one of the most characteristic pieces the Renaissance has left us, with its masterly writing and remarkable rhythm and form. All the verses except one are based on uu—u -u … that is, two shorts, a long and a short, a long and a short, and two longs. The ornaments that Mersenne calls crispaturae vocum ("vocal curls") represent here and there the small change. This work is composed of two elements: the rechant and the chant (refrain and strophe). The rechant is syllabic and in 5 voices (notice the vocalize of the tenor that adorns it): it is repeated without change, but the chant is exposed in varying versions, first by 2, then by 3, by 4, and finally by 5 voices. And so we have: R+A’+R+A”+R+ A’’’+R+A’’’’+R+R. Neither the listener’s ear nor his mind will fail to appreciate the masterly, exquisite way in which Claude Le Jeune has responded to the challenge of this form. Spring is here again, the beautiful season of love. Waters run clear, the sea calms its angry waves. The duck joyfully plunges into the pool. The sun shines more brightly, dispersing clouds and shadows. Cupid shoots his amours far and wide, and all nature rejoices. Let us, too, laugh and be merry to celebrate this gay season. 11. Vous me tuez si doucement (Jacques Mauduit, 1557-1627) "Chansonnettes mesurèes" by Jan-Antoine de Baif. It is well known what part Jacques Mauduit took in the work of the Académie du Palais, originally Academie de poesie et de musique, and at that time protected by Charles IX because its "associates worked to revive both the way of writing poetry and the measure and order of music used in ancient times by the Greeks and the Romans." Mauduit collaborated with J. A. de Baif, setting to music some of his psalms in measured verse and, according to Mersenne, wrote treatises on rhythm and on "the manner of making measured verses of all kinds in our language to give a special force and energy to the melody." The "chansonnettes mesurées" of J. A. de Baif inspired Mauduit to compose in the tenderest vein. In "Vous me tuez," the charm of the melody is emphasized by the elegant writing of the other parts, and the suppleness of the rhythm holds the attention Here again, it is thanks to technical means that the poetic emotion is engendered. You kill me so gently that I know nothing sweeter than such a death. I am so happy to be in love that I welcome the anguish. I seek nothing sweeter than to die thus. If we must die, let’s die of love. 12. Tu ne l'enten pas, c'est latin (Claude Le Jeune) How happy the age when the music for both light-hearted amusements and the most solemn ceremonies was composed by the same masters, when the essential principles were so solid that laughter could burst forth with the utmost freedom, and when a Claude Le Jeune, having written the admirable and severe “Hélas, mon Dieu” and the charming “Revecy venire du Printans,” needed to have no qualms about amusing himself with writing “Tu ne l'enten pas.” The Gallic spirit is unrestrained here, but far from encouraging Claude Le Jeune to be easygoing and careless, the vivacity of the subject impels him to sharpen his tools still more and to multiply his technical discoveries. Everything had to be suggested, everythingimplied, dared but not abused.The licentious import of “Tu ne l'enten pas, c'est latin” is underlined by the “la, la, la,” full of double-entendres, which leave the meaning in suspense. So much granted, the tale is completely free to venture even beyond the limits of decency, for “You don't understand, it's Latin.” Behold, our author launched headlong into his spicy story! He plays with unbelievable skill on his “Tu ne I'enten pas,” which takes on every possible shade of meaning. Examine it closely and you will see how skillfully Claude Le Jeune has handled all these details: imitations, canons, inexhaustible rhythmical combinations that, by the way, make performing this work a very perilous venture. You don't understand, it’s Latin. A farmer’s daughter got up one morning, took three measures of barley, and went straight to the mill. "My friend," said she, "will my grain be well ground?" “Yes, my beauty,” said he, “just wait till tomorrow and see.” "My trouble’s all for nothing: you're only a wanton wastrel." You don't understand, it's Latin! 13. Au joly boys (Claudin de Sermisy) "31 Chansons musicales" (Attaignant, 1529) How well ordered is everything in this mournful little piece, the expressiveness of which is, in the end, its most striking feature. Again and again it must be repeated: it is on the choice and organization of means that the final effect invariably depends. To rely only on emotion generally results in disorder. Here, on the contrary, everything bears and invites scrutiny. Under repeated chords in dactylic rhythm, the bass exposes the melodic pattern which will be expanded in the tenor at the words “En ung jardin” and heard in canon later on. Notice the parallel movements at “en l’ombre d’ung soucy,” the eloquence of the repeated high note at “En ung jardin,” and the symmetrical descent of the four voices. All the ornaments have disappeared: nothing remains but the unadorned dactylic rhythm (cf. “Death and the Maiden” of Schubert, the “Allegretto” of the Seventh Symphony of Beethoven, the end of Stravinsky’s Orpheus). Admirable music, in truth. In the lowly woods I must go and strive to overcome my sorrow. I have lost my love. Time is heavy on my hands. Solace, you have no more power over me. 14. Francion vint l’autre jour (Pierre Bonnet, 15?-16?) This charming love ditty is a good example of the polyphonic chanson in the process of becoming the court air for one voice. The four voices that accompany the soprano have only a secondary role, rather harmonic. Notice, however, the writing for the tenor in the third verse, the play of minor and major thirds, and the change in sonority when the bass becomes silent. Francion came to see me the other day and spoke of love so delicately that never shall care for anyone but him. “Kiss me, my sweet,” said he. “Why deny me what so freely you give to others?” “No, no,” said I angrily. “If I did, you would soon tire of me.” 15. Le Chant des Oyseaux (Clement Jannequin) “Chansons” (1529) “Awake, slumbering hearts. The God of Love summons you,” sing the voices one after another. The music of this poetical, ravishing refrain will be heard 5 times, separated by 4 couplets. The first one starts with: “On this first day of May, birds do wonderful things. Hark to their song,” and the bird concert begins. Light, onomatopoeic sounds break forth on all sides. They imitate and answer each other, some chirping, others skipping about, still others moving more slowly, and again comes the refrain: "You will all be filled with joy, for the season is a good one." "You will hear soft music from the throat of King Thrush," continues the second couplet, and the concert begins anew. "Ti, ti, ti, piti, chouty, thouy," warble the birds in a little dialogue bouncing back and forth, introducing an increase in rhythmical liveliness and an astonishing variety of timbres. What flashing, amusing, evocative invention! New motives appear endlessly, taken up by voice after voice in an unbelievable accumulation, interrupted by the refrain: "To laugh and enjoy life is my motto. Let everyone join in." "Nightingale of the lovely wood sings sweetly to banish your care," goes the next couplet, and our little singing friends trill and twitter: "Frian, frian, frian, frian. Tar, tar, tar. Velecy, velecy, tu, tu, rrr." Their songs grow brighter and brighter, more and more involved, endlessly varied. "Flyaway, regrets, tears, and cares, for the season demands it," runs the refrain, but the couplet shouts roughly, "Away with you, Master Cuckoo, begone, for you are nothing but a traitor." "Cuckoo, cuckoo, cuckoo," they repeat and repeat, slowly, quickly, high up, low down, until they burst out with: "By treachery in others’ nests you lay your eggs." All the birds have now brought the concert to its climax— blackbird, cuckoo, starling, nightingale, chaffinch, golden oriole—and once more they warble sweetly, "Awake, slumbering hearts. The God of Love summons you." And so ends this thrilling piece, one of the best of all chansons descriptives.




parterre box

August 14

All they are saying is give peace a chance

Two of the greatest opera composers of the 20th century both happened to be gay and ardent pacifists. We examine their musical commentaries this week with Der Prinz von Homburg by Hans Werner Henze and Owen Wingrave by Benjamin Britten. Henze is, for me, perhaps the most underrated, underperformed composer in recent memory. His catalogue of operas contains some masterworks – Der junge Lord, Boulevard Solitude, Elegy for Young Lovers, Pollicino, and Das verratene Meer just to name a few, all of which I’ve seen – but his symphonic works are equally thrilling. Having missed New York City Opera’s production of Der junge Lord in the early 1970s, I became acquainted with Henze music when his third symphony was utilized as the score for Glen Tetley’s ballet Gemini when I attended its American premiere by American Ballet Theater in 1975 with Cynthia Gregory, Martine van Hamel, Jonas Kage, and Charles Ward. I immediately ran out and bought the Deutsche Grammophon collection of his (then) complete symphonies. I twice attended performances of his full-evening ballet Orpheus with choreography by the up-and-coming, 29-year-old William Forsythe when performed by the Stuttgart Ballet in a nearly-empty Metropolitan Opera House in June 1979. The first Henze opera I attended was Das verratene Meer at San Francisco Opera in 1991 (it was not broadcast, so my high-quality in-house recording will surface here one of these days). Der Prinz von Homburg, completed in 1958 with a Hamburg premiere in 1960, is drawn from the 1811 play Prinz Friedrich von Homburg by Heinrich von Kleist. For the Prince’s dreamy demeanor, Henze was inspired by German and Austrian music from the past by composers such as Bach, Beethoven, and Mahler; the militaristic characters are characterized by 12-tone music influenced by Stravinsky and Schoenberg and other members of the Second Viennese School. Nikolaus Lehnhoff’s 1992 production for the Bayerische Staatsoper, filmed and released on DVD, was sent to London and given by the ENO in 1996 in English translation. The source for this week’s upload comes from Theater an der Wien, which presented a stunning production by Christof Loy in 2009 as a vehicle for Christian Gerhaher. Contemporary music specialist Marc Albrecht leads the Wiener Symphoniker in the Austrian premiere of Henze’s 1991 revision. Owen Wingrave was Britten’s penultimate opera, conceived to fulfill a commission by the BBC for a television opera. Based on a Henry James short story, the opera was completed in 1970, filmed at Snape Maltings, and first broadcast in May 1971 in the UK. Benjamin Luxon took the title role in a cast which included John Shirley-Quirk, Janet Baker, Heather Harper, and, of course, Peter Pears. I recall its American premiere on PBS shortly thereafter and was spellbound from the gamelan-influenced introduction and the haunting images of the interior of Paramore, the Wingrave family manse which is a character in itself. More than with his earlier works, Britten experimented with the 12-tone serialist techniques and large tuned percussion sections which permeate his next and final opera, Death in Venice. About the work’s pacifist message, Britten labeled it his response to the Vietnam War. A stage premiere at Covent Garden in 1973 was a failure and the opera lay neglected till the end of the century. After a 1997 Glyndebourne revival, the work, often performed with reduced orchestration, has been given in London, Chicago, Vienna (by the now-defunct Wiener Kammeroper), and in Frankfurt in 2010 in a production by Walter Sutcliffe, the source of this week’s performance. Just as Henze conceived Prinz Friedrich Artur von Homburg for a lyric baritone, Owen Wingrave is performed by Michael Nagy, who shot to stardom as Wolfram von Eschenbach, one of the few saving graces of Bayreuth’s Tannhäuser from 2011 through 2013 (incidentally, Wolfram was the role of Christian Gerhaher’s Wiener Staatsoper debut in the premiere of Claus Guth’s2010 production). Owen’s sympathetic teacher, Spencer Coyle, is sung by Dietrich Volle, a brother of Michael Volle. This also takes us closer to completing the operas of Britten: look for Gloriana, Albert Herring and the three Church Parables in the coming months. Your alte Jungfer will, once again, kindly urge you to not be afraid of operas which contain atonal passages. Both scores are dazzling in their versatility and superb vocal writing.

The Well-Tempered Ear

August 14

Classical music: The Ear listens with eyes open and finds interesting photos at concerts

By Jacob Stockinger It was the famous 20th-century composer and pioneering modernist Igor Stravinsky (below) who advised us to listen to music with our eyes open. For one, it fosters our appreciation of the sheer physicality of making music. Musicians are, as the pianist Vladimir Horowitz once observed, athletes of the small muscles. If you listen with your eyes open you can see a lot of things. You can see how musicians give each other cues. You can see the expression on their faces, the joy and pleasure that making music gives them. You can observe how different members of the audience react differently to different music. You can appreciate the many kinds of instruments with the eye-catching shapes, sizes and colors. And you can see patterns that make for good photographs – if taking photos is allowed. Of course even if it is, there are rules to follow so that the musicians and other audience members are not disturbed: no flash and no shutter sound are the main ones besides the rule of intellectual property and the forbidding of taking photographs – kind of a difficult one to enforce these days, what with all the smart phones out there. But some musicians and groups are very friendly and open to photographing, especially if the photos are strictly personal and not for commercial use to earn a profit. At the last regular concert this summer by the Willy Street Chamber players a little over two weeks ago, The Ear found two that showed patterns for good composition. It’s just fun. But productive fun that can capture the fascination with music and musicians, especially if you sit close to the performers. Here they are. First is “Three Clarinets ,” a portrait of guest artist Michael Maccaferri, from the Grammy-winning chamber music group eighth blackbird, with the three clarinets he used in the Argentinian-Jewish composer Osvaldo Golijov ’s “The Dreams and Prayers of Isaac the Blind.” The black verticality of the clarinets is heightened by the same quality of the music stands . The second is “Two Cellos and One Violin,” taken during the bows after the string sextet version of Mozart ’s “Sinfonia Concertante.” The shares and shades of brown woods draw the eye. Tell The Ear of you like this kind of photo essay and want to see more of them on the blog. The Ear wants to hear. Tagged: Argentinian , Arts , athlete , audience , blind , brown , Business , Cello , Chamber music , Classical music , color , commercial , composer , Composition , concerto , cue , different , dream , Dreams and Prayers of Isaac the Blind , eighth blackbird , essay , expression , face , flash , Grammy , instruments , intellectual property , Jacob Stockinger , Jew , Jewish , Madison , Michael Maccaferri , modern , modernism , Mozart , muscle , Music , musicians , Osvaldo Golijov , pattern , photo , photography , Piano , pioneer , prayer , profit , reaction , shade , shape , shutter , Sinfonia Concertante , smart phone , Sound , United States , University of Wisconsin-Madison School of Music , University of Wisconsin–Madison , verticality , Viola , Violin , Vladimir Horowitz , Willy Street Chamber Players , Wisconsin , Wolfgang Amadeus Mozart , wood , YouTube



Meeting in Music

August 12

Recent updates to previously posted music

08/12/17 Summer Nights #1 +1CD set Symphonic Poems from Persia by Alexander Rahbari in Nuremberg (1980) 08/09/17 Brahms -Symphonic Works by Skrowaczewski New rips and links 08/08/17 German Baroque Music New links 08/02/17 Debussy #5 +1CD Images, Pour le Piano, Estampes by Jean-Claude Pennetier (1994) 07/20/17 Debussy #5 +1CD Préludes by Melvyn Tan (2003) 07/19/17 Strauss #1 +1CD Vier letzte & other Orchesterlieder by Michaela Kaune & Eiji Oue in Hannover (2004) 07/18/17 Weill +1CD Eisler's Lieder and Piano Sonata by Matthias Goerne & Thomas Larcher (2012) 07/15/17 Rare Grooves #2 +1LP Mozart's Concertos Nos. 20 & 23 by Brendel, Marriner & ASMIF /a transfer by Enrico B.) 07/15/17 Rare Grooves #2 +1LP Mozart's Wind Quintets by Pay, Brown & the ASMIF (1980) (a transfer by Enrico B.) 07/14/17 Wintery Romantics +1CD Dvorak's 6th Symphony by von Dohnanyi in Cleveland (1989) 07/05/17 Summer Nights #1 +1CD Armenian Piano Trios (incl. Babadjanian & Mansurian) by the Chilingirian Trio (2001) 07/05/17 Bartok #5 +1CD Concerto for Orchestra by Zubin Mehta in Tel Aviv (1976) 07/02/17 Summer Nights #2 +1CD Zemlinsky's Lyric Symphony by Michael Gielen in London (1981) 07/01/17 Debussy #5 +1DDL Préludes, by Catherine Kautsky (2007) 06/29/17 Schoenberg Piano Music +1DDL the milestone recording by maverick Katharina Wolpe (1991) 06/28/17 Rachmaninov #2 +1DDL set The Piano Concertos and Paganini Rhapsody by de la Salle & Luisi in Zurich (2015) 06/27/17 Strauss Great Operas #2 +1CD set Ariadne auf Naxos by Sawallisch in Salzburg (1982) 06/27/17 Christmas 2013 Stölzel Oratorio 1736: links updated 06/24/17 Rare Grooves +1LP Schumann & Grieg Concertos by Richter-Haaser & Moralt in Vienna (a transfer by Enrico B.) 06/24/17 Rare Grooves +1LP Tchaikovsky's 1st Piano C.to by Berman & Temirkanov, Berlin 1986 (a transfer by Enrico B.) 06/24/17 Rare Grooves +2LPs Tchaikovsky's 4th & 6th Symphonies by Abbado in Vienna in the 70s (transfers by Enrico B.) 06/21/17 Prokofiev #2 +1CD Flute Sonata (+Sancan's Sonatine & Schubert 'Trockne Blumen' Variations by Anson & Lilley 06/12/17 The Odd Couple #2 +1CD Chopin's Piano Concertos by Barenboim & Nelsons in Berlin (2010) 06/10/17 Rachmaninov #1 + 1CD Cello Sonata (+ Shostakovich's & Prokofiev's) by David Finckel & Wu Han (1999) 06/10/17 Wintery Romantics +1CD Dvorak's Cello Concerto by Ma & Maazel in Berlin (1986) 06/5/17 Strauss Great Operas #2 +1DVD Der Rosenkavalier by Karajan (1961, restored edition) (a rip by Corrado D.) 05/24/17 Rachmaninov #2 +1CD Concertos Nos. 3 & 4 by Lugansky & Shpiller in Moscow (1995) 05/21/17 Musique Française #3 +1CD Ravel's Miroirs etc. by André Laplante (1995) 05/17/17 Wintery Romantics Tchaikovsky's 1st Piano C.to by L. Berman & Temirkanov (1986) (a transfer by Enrico B.) 05/17/17 Summer Nights #11: Rossini Overtures by Chailly, Mehta, Maazel & Solti (a transfer by Enrico B.) 05/10/17 Opera Favourites #3: Verdi's 4 Pezzi Sacri by Riccardo Muti in Berlin (1982) 05/10/17 Gershwin +1CD Concerto in F + Bernstein's 2nd Symphony by Ingrid Jacoby in Moscow (2009) 05/06/17 Wintery Romantics +1CD Szymanowski's Violin Concertos by Thomas Zehetmair & Simon Rattle (1995) 05/03/17 Summer Nights #10 +1CD Elgar's 1st Symphony by Leonard Slatkin in London (1989) 05/03/17 Summer Nights #10 +1CD Elgar Part Songs & Vaughan Williams Mass by the Holst Singers of London (1991) 05/01/17 Debussy #1 +1CD Jeux & Images pour Orchestre by Armin Jordan in Genève (1988) 04/29/17 The long Goodbye +1CD Beethoven Op. 111, Schubert D. 946 & Berg Op. 1 by Katharina Wolpe (1990) 04/28/17 Sibelius Symphonies New links; added 4CD-set Blomstedt & San Francisco Symphony 04/27/17 Transcriptions #3: new links 04/26/17 Bohemian Composers: new links 04/26/17 The Odd Couple #1 +1CD Chopin's Mazurkas by Klara Min (2012) 04/26/17 The Odd Couple #1 +1CD  Chopin Selected Etudes, Préludes, Mazurkas, Nocturnes by Alan Kogosowski (1991) 04/26/18 The Odd Couple #1 +1CD Chopin's Piano Concertos by A.R. Luszczewski (1) & A. Mogilevsky (2) (1990) 04/10/17 Debussy #5 +1CD Préludes by Ivan Ilic (2006) 04/10/17 Spanish School #2 +1CD Lecuona's Piano Works by Clara Rodriguez (2003) 04/05/17 Bruckner +1CD Symphony No. 7 by Hans Vonk in Saint Louis (1997) 03/29/17 Debussy #4 +1CD Etudes by Gordon Fergus-Thompson (1990) 03/28/17 Summer Nights #5 +1CD Melodies Françaises (Berlioz, Ibert, Poulenc, Ropartz) by José van Dam (1988)  03/23/17 Brahms +1CD set Ein deutsches Requiem by Janos Ferencsik in Bratislava (1983) 03/22/17 Spanish School #1 +1CD Granados, Goyescas by Cristina Ortiz (1989) 03/17/17 Spanish School #1 +1DDL Granados, Goyescas by Daniel Del Pino (2009) 03/11/17 Debussy #4 +1DDL Etudes by José Eduardo Martins (2010) 03/1/17 Debussy #4 +1CD Etudes by Pascal Rogé (2009 recording) 02/23/17 Second Viennese School Ess.ls #3 +1CD Pierrot Lunaire by Salome Kammer & Hans Zender (a rip by John H.) 02/18/17 Schoenberg Piano Music +1DDL Complete set by Pina Napolitano (2012) 02/16/17 Debussy #4 +2CDs Etudes by Garrick Ohlsson, both the 1988 and the 2013 recordings 02/11/17 Prokofiev #1 +1CD 2nd Piano Concerto + Tchakovsky's 1st by Beatrice Rana & Antonio Pappano in Rome 02/1/17 Musique Française #3 +1CD Rameau & Royer's Pièces de clavecin by Jean Rondeau ('Vertigo') (2015) 01/28/17 Rare Grooves #2 +1LP Schubert's Symphonies Nos. 5 & 8 by Böhm in Vienna (1982) (a transfer by Enrico B.) 01/28/17 Rare Grooves #2 +1LP Haydn's Symphonies Nos. 29, 30, 31 by Dorati in Budapest (1975) (a transfer by Enrico B.) 01/21/17 Summer Nights #3 +1CD Mendelssohn's 3rd & 4th Sym. by Heras-Casado in Freiburg (2015) (a rip by Enrico B.) 01/21/17 Summer Nights #3 +1LP Mendelssohn's 1st & 2nd Sym. by Sawallisch in London (1967) (a transfer by Enrico B.) 01/19/17 Murray playing Bach Organ Works New links in the posting 01/18/17 Musique Française #2 +1DDL Respighi's Fountains & Pines of Rome, The Birds by Louis Lane in Atlanta (1985) 01/11/17 Debussy #3 +1DDL Jeux & Images pour Orchestre by Tilson Thomas in San Francisco (2014) 01/10/17 Musique Française #2 +1CD Saint-Saens' 1st Cello Concerto by Tortelier & Frémaux in Birmingham (1974) 01/03/17 Summer Nights #10 +1CD Elgar's Cello Concerto by Paul Tortelier & Charles Groves in London (1988) 12/29/16 Goodbye 2015 +1CD Monteverdi's Selva morale e spirituale by William Christie (1987) 12/26/16 Musique Française #3 +1CD set Berlioz's L'enfance du Christ by C. Davis in London (1976) (a rip by Enrico B.) 12/19/16 Wintery Romantics +1CD Tchaikovsky's 'Pathétique' Symphony by Giuseppe Sinopoli in London (1989) 12/16/16 Summer Nights #11 +1CD Gesualdo's Tenebrae responsories by the BBC Singers & Bo Holten (2004) 12/16/16 Summer Nights #10 +1CD set Byrd and Taverner: Masses, by David Willcocks in Cambridge (1963) 12/12/16 Schubert #1 +1CD Sonata D.894 & Impromptus D.899 by Daniel Levy in London (1997) 12/11/16 Summer Nights #9 +1CD Volkmann's Cello Concerto & Serenades by H. Karni & M. Pommer (Hamburg 1997) 12/9/16 Mozart: Nachtmusik Added missing track #9 (+New cue file and log) 12/5/16 Stravinsky #2 +1DVD Petrushka + Blacher's Paganini Variations by Zubin Mehta in Florence 1995 12/5/16 Opera Favourites #3 +1DVD Verdi: 4 Pezzi Sacri by Claudio Abbado in Stockholm 1998 (+ Debussy's Nocturnes) 12/3/16 Second Viennese School Ess.ls #4 +1CD Schoenberg's Pelleas + Variations Op. 31 by Zubin Mehta in Tel Aviv 12/3/16 In the Name of Music +1CD Orff's Carmina Burana by James Levine in Chicago (1984) (a rip by Cunctator) 11/29/16 Summer Nights #2 +1CD Korngold's Piano Music by Ingrid Jacoby (1998) 11/29/16 Wintery Romantics +1CD Grieg & Schumann, Piano Concertos by Ingrid Jacoby in London (2005) 11/21/16 Poulenc +1CD Motets, 7 Chansons, Mass, Figure humaine by the Grex Vocalis choral ensemble (1999) 11/18/16 Musique Française #1 +1 CD Ravel Tombeau, Fauré Masques & Pavane by the Orpheus Chamber Orch. (1995) 11/18/16 Musique Française #3 +1CD set Ravel's piano music by Jacques Rouvier (1974) 11/15/16 Prokofiev #1 +1CD Concertos Nos. 1 & 3 with Gary Graffman & George Szell in Cleveland (1966) 11/15/16 In the Name of Music +1CD Orff's Carmina Burana by Richard Hickox in London (1987) 11/14/16 American Classics +1CD Ives & Creston's Symphonies no. 2 by Neeme Neeme Järvi in Detroit (1995) 11/13/16 Shostakovich #2 +1CD Suites from 'The Gadfly' and 'Pirogov' film scores by José Serebrier (1987) 11/13/16 Shostakovich #1 +1CD Semyon Bychkov's 5th in Berlin (1986) now from original CD 11/11/16 The Odd Couple +1CD Mozart Concerto No. 13 + Beethoven's 'Eroica' by Barenboim in Versailles (1997) 11/11/16 The Odd Couple #2 +1CD Mozart's Requiem by Riccardo Muti in Berlin (1987) 11/8/16 Rachmaninov #2 +1DVD Rip Concerto no. 3 with Giorgia Tomassi in Tel Aviv (1992) 11/8/16 The Long Goodbye +1CD Mozart & Weber's Clarinet Quintets by Eduard Brunner & the Hagen Quartett (1987) 11/7/16 Summer Nights #1 +1CD Korngold & Schmidt Chamber Music with Piano Left Hand by Leon Fleisher (1993) 11/4/16 Mahler Lieder +1CD Fischer-Dieskau's Gesellen & Kindertoten + Wolf's Lieder in the 50s (a rip by Corrado D.) 11/4/16 Wintery Romantics +1CD Dvorak Cello Concerto & Tchaikovsky's Rococo' by Christine Walevska (1971) 11/3/16 Rare Grooves #2 +LP set Vivaldi's Il Cimento Op. 8 by I Musici and Felix Ayo (1959) (a transfer by Enrico B.) 11/1/16 Summer Nights #11 +1CD Chinese Ancient Classical Music by Xiaming (2001) 11/1/16 Debussy #4 +1CD Etudes, Images oubliées, Estampes, Suite Bergamasque by Roger Woodward (1997) 11/1/16 American Classics +1CD Copland's Piano Works (Blues, Sonata, Rodeo, Salon) by Eugenie Russo (1995) 11/1/16 American Classics +1CD Copland's Tender Land & Red Pony Suites by James Sedares in Phoenix (1991) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & The Firebird Suite by James DePreist in Portland (2000) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & Apollo by Jaap van Zweden in Hilversum (2006) 10/17/16 Mahler Lieder +1CD Wyn Morris 1966 Des Knaben Wunderhorn (J. Baker & G. Evans) (a rip by Leroy V) 10/12/16 Musique Française #2 +1CD Debussy, Ravel, Poulenc, Saint-Saens: Violin Sonatas by Kang & Devoyon (2003) 10/11/16 Darmstadt #4 +1CD Carter's Piano & Cello Sonatas + works by Del Tredici, Helps & Persichetti 10/11/16 Brahms Piano & Chamber Gems +1CD Clarinet & String Quintets by D. Shifrin and Chamber Music N-W 10/11/16 Darmstadt #3 +1CD Boulez's Structures for 2 Pianos by the Kontarsky Duo (1965) 10/8/16 Spanish School #2 +1CD set Albeniz's Iberia by Olivier Chauzu (2008) 10/4/16 Strauss #3 +1CD Oboe Concerto by Douglas Boyd & Paavo Berglund (1986) (+ Mozart's K. 314) 10/4/16 Strauss #3 +1CD set Heldenleben & Zarathustra with Zubin Mehta in L.A. (1968) (a rip by Dante B.) 10/3/16 Bartok #5 +1CD The wooden Prince & Hungarian Pictures by Neeme Jarvi in London (1990) 10/3/16 Bartok #5 +1CD The wooden Prince & Dance Suite by Ivan Fischer in Budapest (1996) 10/1/16 Haydn Quartets Op. 9 New links added for the original release from the 1990's. Disc scans and inside cover scans are included in the new scans link. Scroll to the bottom of the comments section for the new links. 9/22/16 Prokofiev #1 +1DVD Romeo & Juliet: Royal Ballet Covent Garden, Alessandra Ferri & Wayne Eagling (1984) 9/21/16 Prokofiev #2 +1CD 1st Symphony, Love for 3 Oranges & Lieutenant Kijé by Lorin Maazel in Paris (1985) 9/21/16 Prokofiev #2 +5CDs 5th Symphony by: Y. Levi, V. Handley, Y. Temirkanov, J. Martinon & G. Noseda 9/20/16 Prokofiev #1 +3CDs Romeo & Juliet (Excerpts) by Claudio Abbado, Claus Peter Flor & Yoel Levi 9/20/16 Prokofiev #1 +1CD set Cinderella complete ballet by Vladimir Ashkenazy in Cleveland (1983) 9/20/16 Prokofiev #1 +1CD set Romeo & Juliet complete ballet by Valery Gergiev in St. Petersburg (1990) 9/20/16 Prokofiev #1 +2 CDs Alexander Nevsky & Scythian Suite by Valery Gergiev (2002) & Neeme Jarvi (1988) 9/14/16 Spanish School #2 +1CD Spanish & Argentine Flamencos played by Paco Peña & Eduardo Falú (1989) 9/14/16 Spanish School #2 +1CD Montoya & Ricardo: Flamencos, played by Paco Peña (1987) 9/13/16 Spanish School #3 +1CD Spanish 20th Century Guitar Works by Agustin Maruri (1995) 9/13/16 Spanish School #1 +1CD Guitar Music of Ponce, Piazzolla, Barrios played by Manuel Barrueco (1997) 9/12/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1980) 9/12/16 Rachmaninov #2 +3CDs Piano Concertos & Paganini Rhapsody by T. Vasary & Y. Ahronovitch (a rip by Dante B.) 9/12/16 Bruckner +1CD set Symphony No. 8 by Giulini in Vienna 1985 (a rip by Dante B.) 9/10/16 Summer Nights #11 +1CD Vivaldi's Le Quattro Stagioni by Gil Shaham & the Orpheus C.O. (1993) 9/10/16 Wintery Romantics +1CD Smetana's Ma Vlast by Vaclav Talich in Prague (1954) (a rip by Corrado D.) 9/10/16 Prokofiev #1 +1CD 1st Violin Sonata (+ Debussy & Janacek) by V. Mullova & P. Anderszewski (1994) 9/10/16 Prokofiev #1 +1CD The War Sonatas by Vladimir Ashkenazy (1995) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Tchaikovsky's 1st by Noriko Ogawa & Gennady Rozhdestvensky (1989) 9/10/16 Prokofiev #1 +1 CD set The 5 Piano Concertos by Vladimir Krainev & Dmitri Kitaenko in Frankfurt (1992) 9/10/16 Prokofiev #1 +1CD set 3rd & 5th Concertos (+ Schumann's and Liszt's) by Samson François (1958-1961) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Ravel's left Hand Concerto by John Browning & Erich Leinsdorf (1960) 9/8/16 Schumann +1CD Papillons, Piano Quintet, Fantasiestücke Op. 73 with Jonathan Biss, Jerusalem Q., Martin Fröst 9/8/16 Summer Nights #11 +1CD Domenico Scarlatti's Keyboard Sonatas by Marcela Roggeri (Piano) (2004) 9/8/16 Rachmaninov #1 +1CD Symphony No. 1 by Mariss Jansons in St. Petersburg (1999) (a rip by Corrado D.) 8/29/16 Schumann +1CD Margaret Price's Frauenlieben und Leben (1981) 8/14/16 The Long Goodbye +1CD Beethoven & Mozart's Wind Quintets by Alfred Brendel & Soloists (1986)8/14/16 The Long Goodbye +1LP Beethoven's 7th Symphony by Karl Böhm (1958) (a transfer by Enrico B.) 8/14/16 Summer Nights #11 +1CD Pergolesi Stabat Mater by Claudio Abbado (1985)8/14/16 Summer Nights #11 +1CD Mozart's 3rd & 5th Violin Concertos by Isabelle van Keulen (1989)8/14/16 Summer Nights #11 +1CD Mozart Piano Sonatas by Daria van den Bercken (2014) 8/5/16 Summer Nights #7 +1CD Mendelssohn's String Quintets at the Marlboro Festival 1990 (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias by Wolfgang Sawallisch (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias & Paulus Oratorios by Helmut Rilling (a rip by Dante B.) 7/19/16 Mahler 7 +1CD Gianandrea Noseda in Manchester (2010) (a rip by Corrado D.) 7/19/16 American Classics +1CD Barber's Sonata (+ Berg's Op. 1 & Beethoven's Op. 126) by Ashley Wass 7/19/16 Wintery Romantics +1CD Gubaidulina: The Piano Music by Marcela Roggeri (2007) 7/18/16 Summer Nights #6 +1CD Frederica von Stade's Haydn, Mozart, Rossini solo album (1975) w/ de Waart & Dorati  7/18/16 Musique Française #2 +1CD set J-P. Rameau's Zais by Christophe Rousset (2014) 7/16/16 Summer Nights #4 +1CD set Beethoven's 4th Concerto (+ Chopin's 2nd & Schumann's) by Guiomar Novaes 7/16/16 Summer Nights #4 +1LP Beethoven's Violin Concerto by H. Szeryng & B. Haitink (a transfer by Enrico B.) 7/16/16 Summer Nights #4 +1CD Beethoven's Violin Concerto by Anne-Sophie Mutter & Kurt Masur in NYC (2002) 7/16/16 Summer Nights #4 +1CD Beethoven's Quartets Nos. 9 & 14 by the Quartetto Italiano (1969) 7/16/16 Summer Nights #4 +1CD Beethoven's 4th Concerto by Lang Lang & Christoph Eschenbach in Paris (2007) 7/13/16 Summer Nights #12 +1CD Guastavino's Songs by Florent Héau (Clarinet) with Marcela Roggeri, Piano (2008) 7/11/16 Opera Favourites #2 +1DVD Puccini's Il Tabarro & Leoncavallo's Pagliacci by James Levine (1994) 7/11/16 Messiaen +1CD La fauvette passerinette & other piano pieces by Peter Hill (2014) 7/11/16 Musique Française #1 +1CD Lalo's complete Piano Trios by the Trio Parnassus (1992) (a rip by Corrado D.) 7/11/16 Musique Française #1 +1CD set Bizet's complete Orchestral Music by Enrique Batiz (1988) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Saint-Saens's Symphonies Nos. 1 & 2 by G. Pretre (1991) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Satie, Piano Music (including most Gnossiennes) by Marcela Roggeri (2005) 7/5/16 Opera Favourites #1 +1CD set, Rossini's L'italiana in Algeri by Claudio Abbado in Vienna (1987) 7/5/16 Opera Favourites #1 +2CD sets, Bellini's Norma (J. Levine 1979) & I Capuleti e i Montecchi (R. Muti 1984) 7/5/16 Bach +1CD Cantatas for Counter-Tenor (BWV 170, 54, 35) by A. Scholl & P. Herreweghe (a rip by Corrado D.) 7/5/16 Summer Nights #10 +1CD 'Nocturne' (Selected Lieder) by Rupert Charlesworth & Edwige Herchenroder (2014) 7/4/16 In the Name of Music +1CD set Liszt's Christus oratorio by Helmuth Rilling (1997) (a rip by Dante B.) 7/2/16 Summer Nights #7 +1CD Brahms' Trio Op. 8 & Beethoven's 'Archduke': V. Mullova, H. Schiff & A. Previn (1993) 7/2/16 Summer Nights #7 +1LP Brahms' Violin Concerto by Henryk Szeryng & Bernard Haitink (a transfer by Enrico B.) 7/2/16 Bach 1CD set The well Tempered Clavier by Sergey Schepkin (1998-9) ( a rip by Corrado D.) 7/2/16 Bach +1CD The Art of Fugue by the Keller Quartett (1998) (a rip by Corrado D.) 7/2/16 Bach +1CD Cantatas BWV 4, 56, 82 with Dietrich Fischer-Dieskau (1951-2-3) (a rip by Corrado D.) 7/2/16 Bach +1CD Goldberg Variations (Arr. for String Trio by Bruno Giuranna), Trio Broz (2008) (a rip by Corrado D.) 6/28/16 Bach +1CD set The well Tempered Clavier by Samuel Feinberg (1959) (a rip by Corrado D.)6/28/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Salvatore Accardo (1976) (a rip by Corrado D.)6/28/16 Bach +1CD set The Art of Fugue by Grigory Sokolov (2008) (a rip by Corrado D.)6/28/16 Bach +1CD set Brandenburg Concertos by the Akademie für Alte Musik Berlin (2007) (a rip by Corrado D.) 6/27/16 Musique Française #2 +1CD Fauré, Chausson, Saint-Saens, Massenet by K. Deshayes & Ensemble Contraste 6/27/16 Musique Française #2 +2CDs Chausson Concert (Accardo) & Symphony (Ansermet) (rips by Corrado D.) 6/26/16 Musique Française #1 +1CD set Songs by Ravel, Fauré, Poulenc etc. by G. Souzay (a rip by Corrado D.) 6/26/16 Musique Française #3 +1CD Ravel's Piano Music by Vlado Perlemuter (1955 recordings) 6/26/16 Musique Française #3 +1LP Ravel's Daphnis et Chloé Suites by Willem van Otterloo in The Hague (1956) 6/26/16 Mahler 3 +1CD set Michael Tilson Thomas and the LSO, 1990 (with Janet Baker + Rückert-Lieder) 6/23/16 Schubert #2 +1CD set the Late String Quartets by the Quartetto Italiano (1965-1976-1977) 6/23/16 Schubert #1 +1CD Impromptus Op. 90 + Bach's Partitas Nos. 1 & 2 by Simone Dinnerstein (2011) 6/23/16 Schubert #3 +1CD Winterreise by Cristoph Prégardien & Andreas Staier (1998) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Winterreise by Anton & Hilda Dermota (1963) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Schwanengesang by Wolfgang Holzmair & Imogen Cooper (1994) (a rip by Corrado D.) 6/21/16 Bach +1CD The Musical Offering by the Accademia Bizantina and Carlo Chiarappa (1991) 6/21/16 Bach +1CD set The Cello Suites in Mischa Maisky's first recording (1985) 6/21/16 Bach +1CD The Art of Fugue by Ramin Bahrami (2006) 6/21/16 Bach 2CD sets The well Tempered Clavier Books 1 & 2 by Daniel Barenboim (2003-2005) 6/21/16 Schumann +1CD set Kreisleriana by Imogen Cooper + V.A. at the Festival de Valloires 2006 6/19/16 Strauss Operas #2 +1DVD Der Rosenkavalier by John Neschling in Palermo (2004) 6/19/16 Strauss #3 +1CD set Wind Sonatinas, Suite & Serenade by the Royal Academy Wind Ensemble (2006) 6/19/16 Strauss #2 +1CD Music from the Operas by Jeffrey Tate in Rotterdam (1992) 6/19/16 Strauss #1 +1CD Metamorphosen, Don Juan & Lieder by Joan Rodgers & Jan Latham-Koenig (2001) 6/19/16 Strauss #1 +1CD set Lieder by Edita Gruberova & Friedrich Haider (1990) 6/16/16 Musique Française #1 +1CD Fauré's 1st Piano Quartet & Trio by the Beaux Arts Trio (1988) (a rip by Dante B.) 6/16/16 Summer Nights #5 +1CD Berlioz's Symphonies fantastique by James Levine (1991) (a rip by Enrico B.) 6/16/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Stefan Milenkovich (1997) (a rip by Corrado D.) 6/16/16 Bach +1CD set Brandenburg Concertos by Giardino Armonico & Giovanni Antonini (1997) (a rip by Corrado D.) 6/13/16 In the Name of Music +1CD Orff's Carmina Burana by Franz Welser-Möst in London (1989) 6/13/16 In the Name of Music +1 CD set Mendelssohn's Paulus by Kurt Masur with Theo Adam (a rip by Corrado D.) 6/13/16 Mahler Lieder +1CD Fischer-Dieskau's classic EMI recordings of the major Lieder sets (a rip by Corrado D.) 6/13/16 Musique Française #1 +1CD Frank Martin's Piano Concertos & Ballade by J-F. Antonioli & M. Viotti (1985) 6/10/16 Burgmüller Songs & Sonata Replaced rip which was missing two tracks. The new link is complete. 6/10/16 Bach +1CD set Goldberg Variations & the Partitas by Karl Richter (1958-60) (a rip by Corrado D,) 6/8/16 Summer Nights #10 +1CD Elgar's 2nd Symphony + In the South Ov. with Andrew Davis (1992) 6/8/16 Bach +1CD set The Partitas for Keyboard by Richard Goode (Piano) (2002-2003) (a rip by Corrado D,) 6/8/16 Bach +1CD set The Cello Suites by Mario Brunello (1994) (a rip by Corrado D.) 6/5/16 Summer Nights #11 +1CD A. Caldara's & A. Lingua's Cantate by Recitarcantando Urbino (2009) 6/5/16 Summer Nights #11 +1CD F.M. Stiava's Vespri di Santa Cecilia by Federico Bardazzi in Florence (2008) 6/5/16 Summer Nights #11 +1CD G. Carissimi's Historia di Job, Vanitas Vanitatum by Federico Bardazzi in Florence (2005) 6/5/16 Summer Nights #11 +1CD H. von Bingen's O Orzchis Ecclesia by Federico Bardazzi in Florence (2007) 6/3/16 Gershwin +1CD Rhapsody in Blue, An American in Paris, Cuban Ov. by Lorin Maazel in Cleveland (1975) 6/3/16 American Classics +1CD MacDowell's Piano Concertos by Donna Amato & Paul Freeman in London (1985) 6/3/16 Odd Couple #2 +1CD Chopin's 3rd Sonata by Felipe Browne in London (1999) 6/3/16 Bach +1CD Goldberg Variations by Bruno Canino (1993) (a rip by Corrado D.) 6/2/16 Wintery Romantics +1CD set Janáček's Piano Music by Håkon Austbø (2004)6/2/16 Bach +1CD Goldberg Variations by Jörg Demus (1989) 6/1/16 Schumann +1CD set Dichterliebe by M. Padmore & I. Cooper + V.A. at the Festival de Valloires 2007 6/1/16 Summer Nights #2 +1CD Yehuda - Jewish Music from the Seraglio, L'Orient Imaginaire, V. Ivanoff (1996) 5/31/16 Summer Nights #9 +1CD Dvorak's New World Symphony by Riccardo Chailly in Amsterdam (1987) 5/31/16 Summer Nights #9 +1CD Franck's Symphony by Tadaaki Otaka (1999) (a rip by Corrado D.) 5/31/16 Summer Nights #9 +1CDs Franck's & Saint-Saens' Symphonies by Antonio de Almeida in Moscow (1993) 5/29/16 Debussy #2 +1CD Mélodies by Barbara Hendricks & Michel Béroff (1985) 5/29/16 Rachmaninov #1 +1CD Cello Sonata (+ Strauss') bt Werner Thomas & Carmen Piazzini (1987) 5/27/16 Rare grooves #2 +1LP Mendelssohn's 4th Sym. 'Italian' by Colin Davis in Boston (1976) (a transfer by Enrico B.) 5/24/16 Medieval Music: New links 5/24/16 Debussy #6 +1CD String Quartet (+ Brahms's Op. 51/1) by the Ceruti Quartet (2008) 5/24/16 Debussy #5 +1CD Images & other piano pieces by Zoltan Kocsis (1988) 5/24/16 Debussy #5 1CD set Préludes & Etudes by Georges Pludermacher (2003) 5/21/16 Debussy #2 +1CD set The complete Mélodies with Ameling, von Stade, Command, Mesplé & Souzay 5/21/16 Debussy #2 +3CDs Mélodies by Christopher Maltman, Véronique Gens and Gérard Souzay 5/19/16 Debussy #5 +1CD Estampes, Pour le piano, Suite bergamasque etc. by Bruno Canino (a rip by Corrado D.) 5/19/16 Debussy #3 +1CD La mer, Préludes & Nocturnes by Jean Martinon in Paris (1974) 5/19/16 Odd Couple #2 +1Bonus, Chopin for Cello & Piano: Piatigorsky, Bonucci & Amfitheatrof (enc. by Corrado D.) 5/18/16 Debussy #6 +1CD Sonatas for Cello + Flute, Viola & Harp by Lincoln Center Chamber Music Society (2007) 5/18/16 Musique Française #2 +1CD set Ravel's Piano Music by Jean-Efflam Bavouzet (2003) (a rip by Corrado D.) 5/17/16 Musique Française #3 +1CD Ravel's Ma Mère l'Oye & Prokofiev's Cinderella by piano duo Argerich & Pletnev 5/17/16 Debussy #5 +1CD Préludes by Steven Osborne (2006) 5/17/16 Debussy #5 +1CD Préludes Book 1 & Children's Corner by Nelson Freire (2009) 5/17/16 Debussy #5 +1CD set, Préludes etc by Samson François (1970) (includes 5 Etudes) 5/17/16 Debussy #5 +1CD Images, Pour le piano & Suite bergamasque by Cécile Ousset (1986) 5/16/16 Summer Nights #8 +1CD set Brahms' Symphonies by Antal Dorati (a rip by Corrado D.) 5/16/16 Brahms +2CDs Piano Quartets by J. Demus & the Barylli + Richter & the Borodin (2nd) (rips by Corrado D,) 5/15/16 A Weimar Rhapsody +1CD Krenek Piano Sonatas Nos. 2 & 4 + G. Washington's Variations. (M. Korzhev, 2007) 5/15/16 Musique Française #1 +1CD Koechlin and Jolivet's Chamber Music with Flute (Philippe Racine, 1989) 5/13/16 Debussy #3 +1CD Jeux, Images, Prélude, Danses with Serge Baudo in Prague (1977) 5/13/16 Debussy #5 +1CD Alice Ader's rare album with Images, Estampes, Martyre de S-S, Masques etc. (1989)  5/5/16 Stravinsky #2 +1CD Sacre du printemps (+ Bartok & Boulez) by P. Boulez in Salzburg with the GMJO (1997) 5/5/16 Stravinsky #2 +1DVD Le rossignol by J. Conlon in Paris (Dessay/McLaughlin/Simcic/Urmana/Naouri) (1999) 5/5/16 Bartok #5 +1CD Miraculous Mandarin & Dance Suite by B. Maderna in Monte-Carlo (1968) (a rip by Corrado D.)5/4/16 Massenet Operas: +CD Don Quichotte at Mariinsky theater, Furlanetto/Gergiev 5/4/16 Early Music Collections: New links 5/3/16 Brahms +1CD The Quartets for Voices & Piano by the Kammerchor Stuttgart, A. Rothkopf & F. Bernius (1983)5/3/16 Brahms +1CD The String Quintets by the Hagen SQ & G. Caussé5/3/16 Brahms +1CD set The String Quartets (Italiano SQ) & Clarinet Sonatas (G. Pieterson & H. Menuhin)5/3/16 Brahms +2CDs Piano Sonata No. 3 by Lupu & String Sextets by Carmignola, Brunello etc. (rips by Corrado D.)5/3/16 Brahms +1CD Die schöne Magelone with Andreas Schmidt and Jörg Demus (1988) 5/3/16 Opera Favourites #1 +1DVD Offenbach's Les Contes d'Hoffmann by F. Chaslin in Macerata 2004 5/2/16 Summer Nights #8 +1CD set Brahms's Symphonies by B. Haitink in London (2004) 5/2/16 Summer Nights #8 +1CD Brahms's 2nd Symphony by C. Davis in Munich (1988) 5/2/16 Brahms +1CD Cello Sonatas by du Pré & Barenboim (1968) 5/2/16 Brahms +1CD Late Piano Pieces by Radu Lupu (1970) 5/2/16 Brahms +2CDs Ballades Op. 10 by Gould (1983) & Brendel (+ Weber's Grand Sonata) (1990) 5/2/16 Brahms +3CDs Piano Sonata No. 3 by Barenboim (1996), Perahia (1991), Kissin (2001) 4/27/16 Brahms +1CD/1Bonus Violin C.to: D. Oistrakh & Pedrotti (1961, rip by Corrado D.) + Fischer & Sinopoli (2000) 4/27/16 Brahms +1CD set Piano Concertos by Freire & Chailly (2006) 4/27/16 Brahms +4CDs Piano Concertos by Pollini & Abbado, Ax & Haitink, Donohoe & Svetlanov 4/27/16 Brahms +3CDs Violin Sonatas: Zukerman & Neikrug (1992), Tetzlaff & Vogt (2002), Mutter & Orkis (2010) 4/25/16 Rachmaninov #1 +3CDs the 3 Operas (Aleko, The Miserly Knight, Francesca da Rimini) by N. Järvi (1996) 4/23/16 Wintery Romantics +1Bonus Dvorak Symphony No. 7 by I. Fischer in Rome (2006) 4/23/16 Strauss #1 +1Bonus Le bourgeois gentilhomme by Christopher Hogwood in Milan (2005)  4/23/16 Rachmaninov #1 +1CD Symphony No. 1 & Isle of the Dead by M. Pletnev and the RNO (2000) 4/23/16 Rachmaninov #2 +1Bonus, 3rd Concerto by B. L. Gelber & E. Krivine in Geneva (1988) 4/23/16 Rachmaninov #2 +1CD set The Concertos in E. Wild & J. Horenstein's great recording in London (a rip by Odeon) 4/23/16 Rachmaninov #2 +3CDs Ashkenazy/Haitink; Glemser/Wit; Zilberstein/Abbado classic recordings of concertos 4/23/16 Rachmaninov #1 +2CDs Preludes by Weissenberg (1969) & 2nd Symphony by I. Fischer (2003) (rips by Sasha) 4/22/16 Schumann Piano Trio Op. 63 & Ravel's by the Trio di Bolzano (1954) (a rip by Corrado D.) 4/22/16 Prokofiev #1 +1CD set 5th Symphony by L. Maazel in Cleveland (1977) (+ Rimsky's orch. works) (a rip by Sasha) 4/22/16 Wagner's Ring +4DVDs The entire Ring des Nibelungen in J. Levine's fundamental Met production for DGG 4/21/16 Wagner's Die Walküre +1DVD the great Boulez 1980 production (Hofmann, Altmeyer, McIntyre, Jones, Schwarz) 4/20/16 Wagner's Tristan und Isolde 2DVDs Z. Mehta in Munich (1998) and J. Levine in NYC (1999) 4/20/16 Wagner's Die Meistersingers +1DVD J. Levine's 2001 release (Morris, Heppner, Mattila, Allen, Pape, Polenzani) 4/20/16 Liszt's Sonata: +1CD Peter Donohoe's 1989 recording (including Berg and Bartok's Sonatas) 4/20/16 Wintery Romantics +1CD Tchaikovsky and Dvorak: Serenade for Strings by C. Davis in Munich (1987) 4/20/16 Hindemith +1CD Reger's Clarinet Quintet & String Quartet by Karl Leister and the Vogler Quartett (1999) 4/20/16 Stravinsky #2 Apollon Musagète & Cantata by Esa-Pekka Salonen, new rip and scans available. 4/20/16 Summer Nights #8 +1CD set Brahms The Symphonies by Gustav Kuhn in Bolzano (a rip by Corrado D.) 4/19/16 Rachmaninov #1 +2CDs 2nd Symphony by S. Bychkov (1990) & Symphonic Dances by E. Batiz (1991) 4/19/16 Rachmaninov #1 +1CD 6 Choruses Op. 15 (+ Scriabin's 1st Symphony) by Valeri Polyansky (2004) 4/19/16 Rachmaninov #1 +1CD set & 1CD Preludes and Etudes-Tableaux by N. Lugansky, M. Petkova & L. McCawley 4/18/16 Wintery Romantics +6 CDs Scriabin Sonatas, Etudes, Piano Concerto, Poème de l'extase, Prometheus 4/18/16 Schubert #2 +1CD Symphony No. 9 'Great' by Daniel Barenboim in Berlin (1985) 4/18/16 Prokofiev #1 +1CD Symphonies Nos. 5 & 1 by André Previn in Los Angeles (1986) 4/17/16 Wintery Romantics +1CD Piano Trio by Perlman, Harrell, Ashkenazy (1980) 4/17/16 Wintery Romantics + 3CDs Tchaikovsky's 5th (Ormandy 1981) & 6th (Gergiev 1995), Ballet Suites by Karajan 4/17/16 Wintery Romantics +1CD Tchaikovsky's Violin Concerto by V. Mullova and S. Ozawa (+ Sibelius) (1985) 4/17/16 Wintery Romantics +1CD set Tchaikovsky's Symphonies Nos. 4, 5, 6 by Gergiev and the Vienna Philh. (2004) 4/16/15 De Fesch Concerti - Musica ad Rhenum: New links 4/15/16 Musique Française #2 +1CD Respighi's Sinfonia Drammatica by Daniel Nazareth in Bratislava (1986) 4/15/16 Stravinsky #1 +1Bonus, Oedipus Rex by Jeffrey Tate in Turin 1999 (Moser, Lipovsek, von Kannen, Kapellmann) 4/15/16 Opera Favourites #3 +1DVD Levine's Trovatore at the Met 1988 (Pavarotti, Marton, Milnes, Zajick, Wells) 4/15/16 Summer Nights #1 +1CD Erwin Schulhoff's piano works by Ulrich Urban (1993) 4/15/16 Messiaen +1CD Turangalila-Symphonie with R. Chailly (J-Y. Thibaudet, p.; T. Harada, o.M.) (a rip by Cunctator) 4/14/16 Wintery Romantics +1CD Sibelius & Nielsen, Violin Concertos, by Maxim Vengerov & Daniel Barenboim (1996) 4/14/16 Summer Nights #12 +1CD B. Walter Violin Sonata & K. Goldmark 1st Suite by P. Graffin & P. Devoyon (2000) 4/14/16 Stravinsky #2 +2CDs Petrushka by D. Zinman in Baltimore & Symphony in 3 Movs. by J. Conlon in Rotterdam 4/14/16 Stravinsky #2 +1DVD Gergiev and the Vienna Philh. in Salzburg for The Firebird (+ Prokofiev & Schnittke) 4/14/16 Strauss Great Operas #2 +1DVD Ariadne auf Naxos by Colin Davis in Dresden (2000) 4/14/16 In the Name of Music +1CD Orff's Catulli Carmina & Trionfo di Afrodite by Franz Welser-Möst (1995)4/14/16 In the Name of Music +3CDs Orff's Carmina Burana by Z. Mehta (1992), A. Previn (1993) & R. Shaw (1980) 4/14/16 Hindemith +2CDs F. Schmidt's 4th Symphony (F. Welser-Moest) and Selected Organ Works (A. Juffinger) 4/14/16 Wintery Romantics +1CD Moritz Moszkowski's piano works by Seta Tanyel (1993) 4/14/16 Shostakovich #2 +1CD Piano Sonatas Nos. 2, 3, 4 by Nikolai Miaskovsky in Lydia Jardon's recording (2007) 4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Riccardo Chailly in Amsterdam (1993) 4/13/16 Darmstadt #2 +1Bonus File: Nono's Il canto sospeso with Mario Venzago in Milan 2000 (+ Berg's Op. 6) 4/13/16 Bartok #1 +1Bonus File: Piano Concerto No. 3 with Roberto Cominati e Juraj Valcuha in Turin (2007) 4/13/16 Stravinsky #2 +1CD Esa-Pekka Salonen 1988 recording of The Firebird and Jeu de Cartes in London 4/13/16 Stravinsky #2 +2CDs Haitink's Berlin Philh. recordings of The Firebird, Scènes de Ballet & Petrushka (1988/9) 4/13/16 Summer Nights #11 +1CD Joseph Suder's Piano Concerto and piano pieces by Margarita Höhenrieder (1988) 4/13/16 Selig im Glauben (Wagner's Parsifal) +2DVD sets: Levine in NYC (1992) and Nagano in Baden-Baden (2004) 4/13/16 Debussy #6 +1CD String Quartet (+ Zemlinsky's 2nd String Quartet) by the Casals String Quartet (2004) 4/13/16 Summer Nights #2 +1CD Zemlinsky, Marx, Schreker: Lieder by Dorothy Dorow & Massimiliano Damerini (1980)4/13/16 Summer Nights #2 +1CD Zemlinsky's Psalm 23 & Symphony in B-Flat by Riccardo Chailly in Berlin (1987)4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Giuseppe Sinopoli in Vienna (1995)4/13/16 Summer Nights #2 +2CDs Zemlinsky by James Conlon (Eine florentinische Tragödie & Lyrische Symphonie) 4/13/16 Opera Favourites #2 +1DVD Puccini's La fanciulla del West by Nello Santi in London (1983) 4/13/16 Opera Favourites #2 +1DVD Puccini's La Bohème by Lamberto Gardelli in London (1982) 4/13/16 Summer Nights #5 +1CD Clemens Non Papa's Missa Pastores by the Tallis Scholars under Peter Phillips (1987) 4/13/16 Stravinsky #2 +2CDs Le sacre du printemps by B. Haitink in Berlin (1995) and M. Alsop in Baltimore (2006) 4/13/16 Stravinsky #1 +2CDs Oedipus Rex: Colin Davis' 1983 and Esa-Pekka Salonen's 1991 recordings. 4/13/16 Stravinsky #2 +2CDs Esa-Pekka Salonen for Apollo, Cantata, Concerto and Works for Piano & Orchestra (1988-90) 4/12/16 Contrappunti Italiani +1CD Scarlatti Sonatas in Ivo Pogorelich's classic 1991 recording 4/12/16 Wintery Romantics +2CDs Szymanowski's Piano Music by Marc-André Hamelin (2002) & Roland Pöntinen (2008) 4/12/16 Wintery Romantics +1CD Scharwenka's 2nd Sonata, Romanzero with Seta Tanyel (1992) 4/12/16 Wintery Romantics +1CD Rimsky-Korsakov's Scheherazade with L. Maazel and the Berlin Philh. (1985) 4/12/16 Prokofiev #2 +2CDs Piano Sonatas Nos. 1-5 and 9 & 10; Piano Sonatinas (P. Donohoe) + Cello Sonata (Wallfisch) 4/12/16 Prokofiev #1 +1CD Symphony No. 2 with Valery Gergiev and the USSR TV & Radio Symphony (1988) 4/12/16 Prokofiev #1 +1CD Alexander Nevsky with Riccardo Chailly in Cleveland (1983) 4/12/16 Prokofiev #1 +1CDs set Alexander Nevsky & Ivan the Terrible with Mstislav Rostropovich and the LSO (1991) 4/12/16 Prokofiev #1 +1CD Violin Sonatas with Erik Schumann & Henri Sigfridsson (2007) 4/12/16 Prokofiev #1 +1CD Complete works for Cello and Piano with Raphael Wallfisch & John York (1999) 4/8/16 Cello Sonatas New links 4/4/16 Schumann +1CD set The Symphonies by Gustav Kuhn and the Haydn Orchestra (2010) (a rip by Corrado D.) 4/4/16 Hindemith +1CD Reger: 4 Solo Violin Sonatas by Ulrike-Anima Mathé (1995) 4/3/16 Hindemith +1CD Reger's Clarinet Quintet by Wenzel Fuchs & the Berlin Philharmonic String Quartet (1999) 4/3/16 Hindemith +1CD set Reger's Cello Sonatas by Alban Gerhardt and Markus Becker (2008) 4/3/16 Hindemith +1CD set Reger's Complete Works for Clarinet & Piano (Ib Hausmann & Nina Tichman, 1998) 4/3/16 Hindemith +1CD Reger: 2 Violin Sonatas by H. Schneeberger & J-J. Dünki (1991) 4/3/16 Hindemith +1CD Reger's Mozart Variations (+Schumann, Weber & Naumann) by Blomstedt in Dresden (1990) 4/3/16 Hindemith +1CD Reger: 3 Solo Violin Sonatas by Ulrike-Anima Mathé (1993) 4/3/16 American Classics +1CD Korngold's Symphonic Serenade + Griffes' Roman Sketches by S. Pittau and the LSO 4/3/16 Contrappunti Italiani +1CD Busoni pieces by G. Andaloro & M. Vacatello (+Franck, Handel, Liszt, Chopin) (2005) 4/3/16 Contrappunti Italiani +1CDset Malipiero's complete String Quartets by the Orpheus String Quartet (1991) 4/3/16 Contrappunti Italiani +1CD Busoni's Turandot Suite + Casella & Martucci's orchestrals works: Riccardo Muti (1992)4/3/16 Contrappunti Italiani +1CD Busoni's Piano Concerto by Garrick Ohlsson & Christoph von Dohnányi (1989) 4/3/16 Contrappunti Italiani +2CDs Busoni's 6 Sonatinas both by Roland Pöntinen (1999) and Michele Campanella (1981) 4/3/16 Contrappunti Italiani +1CD Busoni: Elegies and Sonata by Bruce Wolosoff (rare CD 1986) 3/30/16 Schumann +1CD Alicia de Larrocha for Piano Concerto (C. Davis) + Piano Quintet (Tokyo SQ) 3/30/16 Summer Nights #8 +1CD Brahms' 1st Symphony by Sawallisch in London (1991) (a rip by Corrado) 3/29/16 Summer Nights #1 +1CD Lieder by Korngold, Schreker, Weigl & Schoenberg by S. Kimbrough & D. Baldwin 3/29/16 Mahler Das Lied von der Erde +1CD K. Sanderling 1985 recording (with P. Schreier & B. Finnilä) (a rip by Juan F.) 3/28/16 Summer Nights #8 +1CD Brahms' Symphony No. 3 with Carlo Maria Giulini in Vienna 1991 3/28/16 Strauss #2 +1DVD Giuseppe Sinopoli and the Staatskapelle Dresden: Eine Alpensinfonie (+Wagner's Rienzi Ov.) 3/26/16 Mahler Das Lied von der Erde +1DVD Semyon Bychkov in Cologne (with Torsten Kerl & Waltraud Meier) 3/26/16 Wintery Romantics +2CDs Gorecki's 3rd Symphony (Zinman) and Khachaturian's Ballet Suites (Simonov) 3/26/16 Wintery Romantics +3CDs Lyapunov, Paderewski, Moszkowski's Piano C.tos; Moszkowski, Karlowicz's Violin C.tos 3/26/16 Wintery Romantics +2CDs Borodin's Symphonies by V. Gergiev (Rotterdam, 1990) and M. Ermler (Moscow, 2000) 3/26/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1966) 3/25/16 Hindemith +2CDs Bernstein's and Eschenbach's recordings of Orchestral Works (with Midori for the Violin C.to) 3/25/16 Debussy #1 +1CD Montserrat Caballé for La damoiselle élue (and Chausson's Poème), Wyn Morris conducting. 3/25/16 Second Viennese School Ess.ls #3 +2CD Berg's Violin C.to (van Keulen) + Orchestral Works (M. Venzago, cond.) 3/25/16 Second Viennese School Ess.ls #3 +1CD Berg's Kammerkonzert conducted by Hindemith (1959) 3/24/16 A Weimar Rhapsody +1CD Krenek's Quartets Nos. 1 & 7 by the Petersen String Quartet (2003) 3/24/16 Strauss Operas #2 +2DVDs Abbado's (1989) and Böhm's (1981) Elektra in Vienna 3/24/16 In the Name of Music +4CDs Wolf's Lieder Bär & Fischer-Dieskau + Italienisches Liederbuch (Cotrubas/Allen & Oelze/Blochwitz) 3/24/16 In the Name of Music +1CD Pfitzner's Lieder selection with J. Kaufmann, C. Prégardien & A. Schmidt (1997) 3/24/16 In the Name of Music +2CDs Mendelssohn's Symphony No. 2 'Lobgesang' by Abbado (1985) and Chailly (2005) 3/24/16 Wagner Romantic Masterpieces +1DVD James Levine's celebrated Lohengrin at the Met 1986. 3/24/16 Strauss #4 +1CD Don Quixote in Pierre Fournier's classic Szell/1960 recording in Cleveland (a rip by Sasha) 3/18/16 Schubert #2 +1CD Symphony No. 3 by Ilan Volkov (+ Haydn's Symphony No. 46 & Mendelssohn's Melusine) 3/18/16 Schumann +1CD Brigitte Engerer's late studio recording (2003), including Mendelssohn, Chopin and Liszt. 3/18/16 Schumann +2CDs Concerto (+Grieg's) by Kovacevich & C. Davis (1971); Symphonic Etudes by Brendel (1990) 3/18/16 Schubert #3 +1CD New Rip and original scans of Winterreise by Hampson and Sawallisch (1997) 3/17/16 Poulenc +2CDs Sonatas by Pascal Rogé & Friends & Gloria by Andrew Davis (+ Stravinsky's Psalms Symphony) 3/17/16 Strauss #4 +1CD Pfitzner and Strauss Orchestral music from Operas, with Thielemann at the Berlin Deutschen Oper 3/16/16 Wintery Romantics +2CDs Grieg's Lyric Pieces (Andsnes, 2001) and 3 Violin Sonatas (Amoyal & Chiu, 1999) 3/16/16 The long Goodbye +1CD Beethoven's 9th Symphony in Karajan's classic London recording (1955) (a rip by Sasha) 3/15/16 Liszt +1CD Piano Sonata (+Scriabin's 2nd Sonata) by Ivo Pogorelich (1992) 3/15/16 Musique Française #1 +1CD Saint-Saëns' Symphony No. 3 with Peter Maag and Daniel Chorzempa (1986) 3/15/16 Mahler Lieder +1CD Des Knaben Wunderhorn by Charles Mackerras (with A. Murray and T. Allen) (1990) 3/15/16 Summer Nights #1 +1CD Korngold's Lieder by Steven Kimbrough and Dalton Baldwin (1984) 3/15/16 Mahler 9 +1CD Myung-Whun Chung and the Seoul Philharmonic Orchestra 3/14/16 Musique Française #1 +1CD Dutilleux's Correspondance and 'Tout un monde lontain...' with Salonen (2011) 3/14/16 Second Viennese School Ess.ls #3 +1CD Boulez's rec.of Schoenberg's Suite Op. 29 & Op. 4 in the Sextet version 3/13/16 Strauss #4 +1CD Lieder with Soile Isokoski and Marita Viitasalo (the studio recording on Ondine) 3/12/16 American Classics +1CD Vernon Duke's Violin Concerto and Sonata by Elmira Darvarova and Scott Dunn 3/12/16 Shostakovich #1 +1BONUS Symphony No. 4: Jukka-Pekka Saraste & the Orchestra Sinfonica della RAI (2004) 3/12/16 Strauss Operas #2 +1DVD Der Rosenkavalier: Franz Welser-Möst's production in Zürich (2004) 3/11/16 Summer Nights #10 +1CD Keith Emerson's Piano Concerto in Emerson's recording from 1977 (J. Mayer, LPO) 3/11/16 Bartok's Voices #5 +1CD Georg Solti's Hungarian Connections, works by Bartok, Weiner, Kodaly, Liszt (1993) 3/11/16 Strauss Great Operas #1 +1CD set Kurt Masur's Ariadne auf Naxos in Dresden (1988) 3/11/16 Strauss Great Operas #1 +1DVD James Levine's Ariadne auf Naxos in New York (1988) 3/11/16 Strauss Great Operas #1 +1CD set with James Levine's Ariadne auf Naxos in Vienna (1987) 3/11/16 Musique Française #2 +1CD Milhaud's orchestral music and Harp Concerto (F. Cambreling) with Kent Nagano 3/11/16 Musique Française #1 +1CD Dukas' complete piano music by Laurent Wagschal (2013) 3/10/16 Remembering Harnoncourt's early recordings: +1CD Music at the Court of Mannheim 3/10/16 Menotti's The Medium +1DVD the 1977 classic video recording with Maureen Forrester as Madame Flora 3/10/16 Gershwin +1DVD Simon Rattle's Porgy & Bess (Glyndebourne 1993) 3/10/16 Debussy #6 +1CD Transcriptions for 2 Pianos of Jeux + Stravinsky's Sacre & Bartok's Portraits by Bavouzet & Guy 3/10/16 Debussy #6 +1CD Violin Sonata (+ Pierné's and Fauré's 1st) by C. Giovaninetti & I. Aoyagi (2013) 3/10/16 Debussy #6 Violin Sonata (+ Brahms' 2nd & Schubert's 1st Sonatina) Simone Bernardini & Vanessa Benelli-Mosell 3/10/16 Debussy #3 +1CD Printemps, La boite à joujoux, Children's Corner with Dutoit in Montréal (1994) 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Wozzeck in 1987 Claudio Abbado's production in Vienna 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 2002 Franz Welser-Möst's production in Zürich 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 1996 Andrew Davis' production in Glyndebourne 3/9/16 Bartok #5 +1CD Concerto for Orchestra with the Purcell School Orchestra conducted by Lionel Friend (1997) 3/9/15 Malcolm Arnold Symphonies - new links added 3/9/16 Summer Nights #3 +1CD Wagner scenes with tenor William Lewis and conductor Gabor Ötvös 3/4/16 Weill +1CD set 'Street Scene' in John Mauceri's 1990 classic recording for Decca 3/4/16 Strauss Operas #1 +1DVD Levine's Elektra (1980, B. Nilsson, L. Rysanek, M. Dunn, D. McIntyre, R. Nagy) 3/4/16 Stravinsky #1 +1DVD Ozawa's Oedipus Rex (1993), directed by Julie Taymor (P. Langridge, J. Norman, B. Terfel) 3/2/16 Ein Bach... +1CD Catalan keyboardist Miquel Villalba's splendid recording of the Goldberg Variations 3/2/16 Ein Bach... +1CD Glenn Gould's must-have 1981 recording of the Goldberg Variations for CBS 3/2/16 Ein Bach... +1CD Angela Hewitt's rare early Canadian recording of Concertos BWV 1052-3-6 with M. Bernardi 3/2/16 Ein Bach... +7CDs Murray Perahia's Concertos, English Suites, Partitas and Goldberg Variations for Sony 3/2/16 Ein Bach... +1CD set: Anner Bylsma's classic recording of the Cello Suites (1991) 2/21/16 Spanish School #2 +1CD Ginastera's Estancia Suite & Harp Concerto (Barrera) under Josep Pons (2003) 2/21/16 Wintery Romantics +1CD Magdalena Kozena's recording of Martinu, Dvorak & Janacek's Love Songs (2000) 2/21/16 Wintery Romantics +1CD Clifford Curzon and Vienna Philh. Quartet for Dvorak and Franck's Piano Quintets 2/11/16 Contrappunti Italiani +1 Bonus File: Vanessa Benelli Mosell for Busoni's Chopin Variatons (2006) 2/6/16 Musique Française #3 +1CD Fischer-Dieskau's historic 1975 recording of Ravel, Poulenc and Fauré's songs 2/6/16 Wintery Romantics +1DDL Sibelius and Goldmark, Violin Concertos by Bell and Salonen (2000) 2/6/16 Wintery Romantics +1DDL Sibelius, Symphony No. 2 by Salonen and the LA Philh. (2007) 2/5/16 Shostakovich #1 +1CD Jansons's recrding of Symphonies Nos. 2 & 12 in Munich (2005) 2/5/16 Shostakovich #1 +2CDs New rips for Jansons's Symphonies Nos. 3 + 14 & 13 on EMI 2/4/16 Ein Bach... +1CD set Goldberg-Variationen in Tessa Uys's rare recording for Claremont (2000) 2/4/16 Intense Bruckner +1DVD Audio Rip: Sinopoli's 4th Symphony in Tokyo with the Philharmonia Orchestra (1988) 2/4/16 Musique Française #2 +1CD Franck & Debussy by Kenneth Weir (+ Rachmaninov's Chopin Variations) (2001) 2/4/16 Debussy #3 +1CD Images and Nocturnes with Dutoit in Montréal (1988) 2/4/16 Debussy #4 +1CD Etudes & Estampes by Véronique Pélisséro (1991) 2/4/16 American Classics +1CD Leroy Anderson's Favourite Orchestral Pieces conducted by Leonard Slatkin (1993) 1/28/16 Recorder music #1 New rips and links 1/27/16 Musique Française #1 +1LP Franck's Piano Quintet and Prélude, Choral et Fugue by J-P. Collard and Muir SQ 1/27/16 Debussy #6 +1LP String Quartet (+ Ravel's), by the Alban Berg Quartett on EMI (1984) 1/27/16 Summer Nights #4 +1LP Roger Woodward's recording of Beethoven's Op. 111 & Op. 57 for RCA (1973) 1/24/16 Opera Favourites #2 +1CD set Levine's Manon Lescaut (Decca, 1993)  1/21/16 Opera Favourites #1 +1CD set Karajan's 1982 recording of Carmen for DGG 1/18/16 Ein Bach... +1CD set Johannes-Passion in Harnoncourt's classic recording for Teldec (1993) 1/17/16 Ein Bach... +1CD set The Cello Suites in Rostropovich's classic 1991 EMI recording 1/16/16 Debussy #2 +1DDL Songs (including Chansons de Bilitis) + Ravel and Chausson by DeGaetani & Kalish (1979) 1/15/16 Musique Française #3 +1CD Ravel's Gaspard de la nuit (+ Elliott Carter's piano works) by Pierre-Laurent Aimard 1/14/16 Shostakovich #2 +1CD set Preludes and Fugues Op. 87 (+Bach from WTC Book 1) selections: Mustonen 1/14/16 Bartok's Voices #5 Additional links for 5CD-box Dorati conducts Bartok (Mercury Living Presence) 1/13/16 Summer Nights #10 +1CD Elgar & Walton's Violin Sonatas by Daniel Hope & Simon Mulligan (2000) 1/12/16 Summer Nights #2 +1CD Reger's Mozart Variations (Salonen) & Romantic Suite (Zagrosek) in Baden-Baden 1/11/16 Summer Nights #5 +5CDs Vivaldi by Onofri & Antonini, Harnoncourt, Hogwood, Petri, Kermes & Marcon 1/8/16 Debussy #5 +1CD Alice Ader's recording of Préludes 1 & Jeux (2002) (previously posted in Feb. 2012) 1/7/16 Opera Favourites #2 +1CD set Puccini's Turandot in Molinari-Pradelli's 1965 recording in Rome 1/7/16 Opera Favourites #2 +1CD set Puccini's Fanciulla del West in Lorin Maazel's 1991 recording in Milan 1/6/16 Debussy #5 +1CD Préludes by Pascal Rogé (2004 recording) 1/5/16 Debussy #4 +1CD set The Piano Music in Daniel Ericourt's rare recording (1962) (a rip by DanseDePuck) 1/5/16 Debussy #5 +1CD set Préludes, Images and Estampes by Claudio Arrau (1981) (a rip by OdeonMusico) 1/5/16 Opera Favourites #2 +2CD sets Puccini: Maazel's Manon Lescaut (1992) & Chailly's La Bohème (1992) 1/5/16 Wintery Romantics +1CD Maazel's Mussorgsky: Pictures and Night in Cleveland for Telarc (1978) 1/3/16 Summer Nights #4 +1CD Beethoven's 9th Symphony by Donald Runnicles in Atlanta (2003) 1/2/16 Strauss Oktoberfest #3 +1CD Vier letzte and Lieder Selection with Soile Isokoski & Marek Janowski (2002) 1/2/16 Strauss Great Operas #2 +1CD set Der Rosenkavalier by Andrew Davis (1995) 12/31/15 Orlando di Lasso: +1CD Moduli Quinis Vocibus, Herreweghe, with extra links (bzzz) 12/29/15 Opera Favourites #2 +1CD Puccini's Suor Angelica by Bartoletti in Rome (1973) (a rip by Juan) 12/23/15 Hindemith +1CD performs his Piano Duet Sonata, 3rd Violin Sonata, Der Schwanendreher (a rip by bzzz) 12/22/15 Debussy #5 +1CD the Préludes by Philippe Bianconi (2012) 12/22/15 Summer Nights #10 +1CD Elgar's Cello Concerto & Enigma Vars. by J. Lloyd Webber & Menuhin (1985) 12/22/15 Ein Bach... +1CD Cantatas BWV 140 & 147 with John E. Gardiner (1990) 12/16/15 Summer Nights #10 +1CD Walton's 2nd Sym., Hindemith Variations and Partita (G. Szell 1959) (a rip by Sasha) 12/16/15 Summer Nights #10 +1CD Carols from Trinity College, Cambridge, conducted by Richard Marlow (1988) 12/16/15 English Baroque Music: New links 12/14/15 Mahler 2 +1CD V. Neumann's recording for Supraphon Fidelio in 1980 12/14/15 Liszt +1CD Gyula Kiss' recording of the 2 Piano Concertos and Totentanz (1976) 12/13/15 O Tuneful Voice (Bronze Series) Added new link with tracks Nos.20-22 repaired using CueTools. 12/13/15 American Classics +1CD Rozsa, Gould and Menotti Orchestral Music by David Amos and the LSO (1990) 12/13/15 Rachmaninov #2 +1CD 2nd Concerto by Cécile Ousset & Simon Rattle (+Grieg's Concerto with Marriner) 12/9/15 Debussy #5 +4CDs Préludes Book 1 (or both) by S.D. Lasry, M. Pollini, O. Maisenberg, Y. Egorov. 12/9/15 Debussy #5 +2CDs Selected Works by M. Lympany and R. O'Hora 12/9/15 Musique Française #1 +1HQ DDL Frank Martin's Mass for Double Choir with Robert Shaw (1994) 12/8/15 Spanish School #2 +1HQ DDL Villa-Lobos' Etudes and Preludes for Guitar with Alvaro Pierri 12/8/15 Spanish School #2 +1HQ DDL S. Isbin with the NYP and J. Serebrier for Rodrigo, Villa-Lobos and Ponce 12/8/15 Spanish School #2 +1CD Falla's Popular Songs by Ann Murray + Ginastera's Estancia (Harth-Bedoya cond.) 12/7/15 Summer Nights #10 +4CDs Holst's The Planets by Yoel Levi, Zubin Mehta, Eugene Ormandy, André Previn. 12/7/15 Debussy #6 +1LP String Quartet (+ Ravel's) by the Quatuor Parrenin on EMI (1970) 12/7/15 Summer Nights #5 +2CDs Handel's Organ Concertos (A. Frigé) and Selected Secular Cantatas (J. Baird) 12/7/15 Composer Alexandre Guilmant: new links 12/5/15 Debussy #4 +1CD box The Piano Music (including a MUST-HAVE recording of the Etudes) by Albert Ferber 12/5/15 Debussy #4 +4CDs The Etudes recordings by Jean-Pierre Armengaud, Monique Haas, Roland Krüger, Ju-Ying Song 12/5/15 Strauss Great Operas #2 +1CD box Edo de Waart's 1976 Der Rosenkavalier in Rotterdam 12/4/15 Summer Nights #10 +3CDs Grainger by Gardiner, Howell's Hymnus paradisi, Elgar by du Pré & Barenboim 12/4/15 Summer Nights #4 +6CDs Beethoven by Rostropovich/Richter, Serkin/Ozawa, Buchbinder, Gieseking, Maazel 12/3/15 Second Viennese School Ess.ls #4 +1LP Schoenberg's Erwartung by Susan Davenny-Wyner (+ Wolpe's Symphony) 12/2/15 Wintery Romantics +1CD Alexander Ardakov's recording of selected Piano works by Glinka, Scriabin, Chopin 12/1/15 Opera Favourites #1 +2CDs Humperdinck's Hansel & Gretel recorded by Donald Runnicles in Munich (1994) 12/1/15 Musique Française #3 +1CD Ravel's Gaspard and Tombeau in Charles Rosen 1959 recording for Epic 12/1/15 Darmstadt #3 +1CD Charles Rosen recording of Boulez 1st Sonata and excerpts from 3rd Sonata (1972) 11/27/15 Summer Nights #9 +1CD Brahms' Deutsches Requiem/Levine (a rip by Juan) + Selected Lieder from original LP 11/24/15 Musique Française #2 +1LP Ravel' for 2 Pianos and Piano Duet with Maria Tipo & Alessandro Specchi (1979) 11/24/15 Prokofiev #2 +1LP Tedd Joselson's rare recording of Sonatas Nos. 2 & 8 (RCA, 1976) 11/23/15 The Odd Couple +3CDs Mozart's Violin Concertos (Kavakos & Camerata S.) + "Gran Partita" by I Fiati di Parma 11/23/15 The Odd Couple +2CDs Mozart's K. 467& 595 (R. Serkin/Abbado) + 488 & 537 (F. Gulda/Harnoncourt) 11/20/15 Summer Nights #6 +1CD Rameau's Grands motets in Hervé Niquet's 1992 recording 11/18/15 Schoenberg Piano Music +1LP the rare 1970 J. von Vintschger recording for Turnabout Vox 11/18/15 Debussy #5 +1CD Debussy, Ravel, Stravinsky for Piano Duet with Moneta & Rota Piano Duo (1990) 11/18/15 Debussy #5 +1CD Debussy & Ravel's Music for 2 Pianos and Piano Duet by Collard & Béroff (1982) 11/18/15 Debussy #6 +2CDs Debussy & Ravel's chamber works and Songs with chamber ensemble by the Nash Ens. 11/18/15 Debussy #3 +8CDs Orchestral works with Boulez, Lombard, Salonen, Volkov, Krivine, Rattle, F. de Burgos 11/17/15 Summer Nights #5 +1CD Couperin's Livre de Clavecin (6th, 8th, 18th Ordres) by Angela Hewitt (2002) 11/17/15 Ein Bach... +3CDs Tureck in St. Petersburg + Anderszewski Partitas 1,3,6 + Baroque music for Oboe and Organ 11/15/15 Summer Nights #7 +2CDs Brahms' Piano Concertos by M. Tirimo and the LPO (K. Sanderling & Y. Levi) 11/15/15 Strauss Oktoberfest #2 +1CD Zarathustra (Skrowaczewski) + Symphonia Domestica (Seaman) (NYO of GB) 11/12/15 Summer Nights #8 +1CD Brahms's Serenades in Haitink's classic Philips recording (1981) 11/12/15 Stravinsky #2 +1CD Gatti's 2011 recording with the ONF: Sacre and Petrushka 11/12/15 Stravinsky #2 +1CD Chamber Orchestra Works by the Endymion Ensemble under J. Whitfield (1987). Rare. 11/12/15 Stravinsky #2 +1CD Boulez's 1975 classic Firebird recording with the New York Philharmonic 11/12/15 Stravinsky #2 +2CD Sacre, Firebird, Petrushka & Pulcinella by Yakov Kreizberg and the Monte-Carlo Philh. 11/12/15 Stravinsky #2 +1CD Rattle and the National Youth Orchestra of GB (Sacre) + Dorati and the RPO (Firebird) 11/11/15 Prokofiev #2 +1CD Peter & the Wolf by M. Harth-Bedoya in Fort Worth + Saint-Saens' Carnaval des animaux 11/10/15 Locatelli - Complete Flute Sonatas: New links 11/10/15 Wintery Romantics +1CD Dvorak's Cello Concerto & Tchaikovsky's Rococo with Rostropovich & Karajan 11/10/15 Mahler Lieder +1CD Y. Minton and P. Boulez for Rückert Lieder + Wagner's Wesendonck (1979) 11/10/15 Hindemith +1CD Quartet with Clarinet and Piano with E.Brunner etc. (1999) (a rip by bzzz) 11/10/15 Summer Nights #7 +2LPs Brahms' Ballades Op. 10 by E. Gilels and by W. Kempff 11/9/15 Schumann +1LP Mehta's recording of the 3rd Symphony with the Vienna Philharmonic (Decca 1983) 11/9/15 Summer Nights #8 +1LP Mehta's Brahms's 1st Symphony with the Vienna Philharmonic (a transfer by Enrico B) 11/9/15 Rachmaninov #2 +1CD Leon McCawley's recording of the 3rd Concerto with Charles Groves conducting (1990) 11/9/15 Intense Bruckner +1CD Muti's 4th with the Berlin Philharmonic (1985) 11/9/15 Second Viennese School Ess.ls #1 +1 Bonus: Schoenberg's Phantasy Op. 47 by Irvine Arditti & Noriko Kawai 11/8/15 Poulenc +1LP & 1CD L'Histoire de Babar, with R. Gérôme & J. Février and with J. Moreau & J-M. Luisada 11/8/15 Second Viennese School Ess.ls #3 + 1LP Schoenberg's Chamber Works by de Leeuw (1986) 11/7/15 Second Viennese School Ess.ls #3 +1Double LP: Schoenberg's Complete Chamber Choir Works by de Leeuw 11/6/15 Second Viennese School Ess.ls #6 +1CD Dorow & de Leeuw: Webern's complete Soprano and Chamber Orchestra 11/6/15 Second Viennese School Ess.ls #6 +1LP Dorow & de Leeuw for Webern, Dallapiccola, Schoenberg & Stravinsky 11/4/15 Sgorby Rips #1 +1CD Sammartini's Quintetti e Quartetti by Ensemble Aglàia (2007) (a rip by Davide) 10/29/15 Dutch Organists #Part2: New links 10/27/15 Essential American Classics +1LP Wolpe, Lieberson, Stravinsky: piano works Peter Serkin (1985) 10/27/15 Second Viennese School Ess.ls #3 +1LP Serenade Op. 24, Boulez's classic recording of 1963 for Wergo. 10/27/15 Schoenberg Piano Music +1CD Paul Jacobs' legendary Nonesuch recording (1975) (a rip by BZ) 10/27/15 Mendelssohn Chamber Music: New links 10/25/15 Mendelssohn New links 10/24/15 Hindemith +1CD 4 Violin Sonatas with Oleg Kagan & Sviatoslav Richter (1978) (a rip by bzzz) 10/23/15 Glories of the Italian Piano School +1CD Domenico Nordio & Giorgia Tomassi (Beethoven & Pärt) 10/23/15 Glories of the Italian Piano School +1CD Geza Hosszu-Legocki & Giorgia Tomassi (Franck & Beethoven) 10/23/15 Glories of the Italian Piano School +1CD Giorgia Tomassi's unreleased recording of Chopin's Préludes (1997) 10/23/15 Rachmaninov #2 +1CD Glemser's recording of 2nd and 3rd Concertos under Wit (1996) (a rip by Lupo2004) 10/22/15 Summer Nights #7 +1CD Brahms's Violin Sonatas by Cristopher White and Melanie Reinhard (1999) 10/21/15 Rare Grooves #1 +3LPs Böhm's Eroica; Argerich's Bach and Muti's Verdi (4 Pezzi Sacri) 10/21/15 Dutch Organists #1 New links 10/20/15 Rare Grooves #2 +1LP Debussy Images, Faune and La mer by Paul Paray and the Detroit SO (1957) 10/19/15 Glories of the Italian Piano School +1CD Ciani & Gavazzeni for Mozart's K. 466 & K. 491 (1970/1973) 10/19/15 Rachmaninov #2 +1CD Noriko Ogawa's recording of 2nd and 3rd Concertos in Malmö under Hughes (1997) 10/16/15 Darmstadt #5 +3LPs Xenakis's Choral and Orchestral works with Constant and Tabachnik (a rip by Sotise) 10/16/15 Darmstadt #5 +1LP Rare album with Levinas's Orchestral Works ripped by friend Sotise (Adès MFA 1985) 10/15/15 American Classics +1CD Bernstein's Dybbuk (Complete Ballet), first recording (1974) 10/15/15 Wintery Romantics +1CD: Rimsky-Korsakov's Scheherazade by John Mauceri and the LSO (1987) 10/1/15 Glories of the Italian Piano School +1DDL: Tomassi with Accardo for Beethoven's 'Kreutzer' & 'Spring' (2004) 10/1/15 Glories of the Italian Piano School + 1 Bonus: Dino Ciani plays Brahms's 1st Piano Concerto (Turin, 1969) 10/1/15 Messiaen +1LP: Paul Jacobs' rare recording of the Quatre études de rythme + Busoni, Stravinsky, Bartók (1976) 9/29/15 Strauss Great Operas #2 +2CD sets: Der Rosenkavalier. Karajan's (1956) and Bernstein's (1971) recordings 9/29/15 Strauss Great Operas #2 +1CD set: Die ägyptische Helena conducted by Gérard Korsten in Cagliari (2001) 9/27/15 Rare Grooves #2 +1LP Rimsky-Korsakov's Russian Easter etc. with Ernest Ansermet (1958) (a rip by Enrico B) 9/26/15 Mahler 3 +1CD set: V. Neumann's great Prague early digital recording for Supraphon (1981) 9/26/15 Mahler Lieder +1CD Christianne Stotijn's Rückert and Selected Lieder + Brahms Alto Rhapsody (2006) 9/25/15 Second Viennese School Ess'ls #2 +1CD Berg's Kammerkonzert by the Baton Rouge Chamber Players 9/25/15 Messiaen +1CD Cinq rechant by the BBC Singers/S. Cleobury (+ Choral works by Villette, Poulenc, Caplet) 9/25/15 In the Name of Music +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Richard Hickox (2002) 9/24/15 Mahler Das Lied von der Erde +1CD, Donald Runnicles (2008) 9/24/15 Strauss Oktoberfest #2 +2CDs The Piano Music by Stefan Vladar & The Piano Trios by Odeon Trio 9/24/15 Strauss Oktoberfest #3 +2CDs Alpensinfonie: Masur & ONF (2007) and M. Jansons & BBC Welsh (1991) 9/22/15 Schoenberg Piano Music +2CDs Roland Pöntinen's & Madalena Soveral's fabulous complete recordings 9/22/15 Schoenberg Piano Music +1CD, Claude Helffer's classic recording for HM (1969) (a rip by John F) 9/22/15 Schoenberg Operas +1CD set, Georg Solti's reference recording of Moses und Aron in Chicago 1985 for Decca 9/21/15 Messiaen +1CD, Cinq Rechants + Stockhausen's Choruses for Doris and Xenakis choral works (Chandos, 1998)9/21/15 Messiaen +1DDL, Fête Des Belles Eaux by the Sextet of Ondes Martenot of Montréal (ATMA 2008) 9/18/15 Summer Nights #1 +1 Bonus: Martinu, Krasa and Schulhoff conducted by Christopher Hogwood (Milan, 2003) 9/18/15 Hindemith +1Bonus: Hindemith in Italy, conducting his music plus Brahms's, Webern's and Blacher's at RAI 9/18/15 Hindemith +1CD Violist A. Tamestit & P. Järvi beautiful CD (also including pianist M. Hadulla) (2012) 9/18/15 Summer Nights #10 +1CD set, Lloyd Webber's rock opera masterpiece Jesus Christ Superstar (London cast 1996) 9/18/15 Weill +1CD Dessau's Symphony No. 2, In memoriam Brecht, Les voix etc. by Roger Epple on Capriccio (2009) 9/18/15 Rare Grooves +1LP Liszt & Wagner Preludes with Mehta & the WP (1967) (a stunning LP transfer by Enrico B) 9/17/15 Prokofiev #2 +1CD Boris Giltburg's recording of the War Sonatas (6th, 7th and 8th) (2012) 9/16/15 Poulenc +1CD Chamber Music with Woodwinds and Piano Duet Sonata by the Ensemble Petra (1999) 9/16/15 Darmstadt #2 +1CD Carter's Sonata (+ Bartók's and Dutilleux's) by Claire-Marie Le Guay on Accord (2000) 9/15/15 Darmstadt #2 +2CDs Including a new rip of Maderna's Oboe Concertos by Holliger & Bertini (1993) 9/14/15 Darmstadt #2 +2 Bonus: Donatoni's Le ruisseau (Brunello); Maderna Grande Aulodia + Nono's A Carlo Scarpa 9/14/15 American Classics +2CDs Herrmann & Diamond Chamber M. + Donald Fagen's milestone album The Nightfly 9/14/15 Schumann +1CD: Fischer-Dieskau's reference recording of Dichterliebe, Myrten and Liederk. Op. 39 (1979) 9/14/15 American Classics +1CD: Ives's "Concord" Sonata by Aimard and Songs by Graham on Warner (2004) 9/14/15 Darmstadt #2 +1CD Maderna's 3 Oboe Concertos by Fabian Menzel and Michael Stern on Col Legno (1996) 9/13/15 Darmstadt #4 +1CD Carter's one act opera "What Next?" in Péter Eötvös's première recording for ECM 9/11/15 Debussy #1 +1CD Thierry Fischer's recording of Le martyre de Saint Sébastien (BBC MM, 2011) 9/11/15 Debussy #5 +2CDs Benedetti Michelangeli's historic recordings of the Préludes for DG (1978 & 1988) 9/11/15 Debussy #4 +1CD Charles Rosen's reference (and first ever) recording of the Etudes (1955) 9/11/15 Summer Nights #12 +1LP Grumiaux and Haitink for Bruch 1st Violin Concerto (a transfer by Enrico B) 8/4/15 Schubert on Modern Instruments: new links for Oktett in D, by Cherubini Quartett 8/4/15 Schubert on Modern Instruments: new links for Richard Goode 8/3/15 Rare Grooves#1 +6 LPs mostly Enrico B's outstanding transfers of great out-of-print material 8/2/15 Intense Bruckner +9CDs with classic recordings by Solti, Chailly, Abbado, Wand, Karajan, Harnoncourt 7/25/15 Buxtehude & Pachelbel Organ Works - New links 7/18/15 Darmstadt #3 +1CD Pollini's classic DGG recording of Boulez's 2nd Piano Sonata (1978) 7/17/15 American Classics +1CD (NEW RIP) Lieberson's Neruda Songs with Hunt Lieberson & Levine (BSO) 7/16/15 Tristan und Isolde +1CD box, Georg Solti's classic recording (1960) (a rip by Cecco) 7/16/15 Selig im Glauben (Parsifal) +1CD box, Georg Solti's classic recording (1972) (a rip by Cecco) 7/15/15 Strauss Operas #1 +1CD box, Leinsdorf recording with Caballé, Milnes and the LSO (1968) (a rip by Cecco) 7/14/15 Die Meistersinger +2CD box, Solti 1975 Vienna (a rip by Cecco) and Kempe 1957 Berlin (a rip by A. Zaccaria) 7/13/15 Tristan und Isolde +1CD box, Fritz Reiner's historical London recording (1936) (a rip by Andrea Zaccaria) 7/2/15 Second Viennese School Ess'ls #2 +2DT Berg's Violin Concerto by Carmignola/Inbal & Kavakos/Harding 7/2/15 Second Viennese School Ess'ls #2 +1CD Berg's Violin Concerto's & Kammerkonzert, I. Stern (Bernstein/Abbado) 6/30/15 Darmstadt #3 +1CD Boulez's Piano Sonatas and 12 Notations by Pi-Hsien Chen (2004) 6/30/15 Summer Nights #7 +1DT: J. du Pré with R. Goode and T. Schippers, Brahms & Mendelssohn (live in Spoleto) 6/30/15 Bartok #4 +1CD Violin Concertos by Midori & Mehta (1990) previously only on LP rip (courtesy of Cecco) 6/30/15 Bartok #5 +1CD Concerto for Orchestra & 4 Pieces by Leon Botstein and the London Philharmonic (2000) 6/29/15 Summer Nights #9 +2CDs (incomplete) Franck Symphonie with the Berlin Philh. (Mehta 1995 & Giulini 1986) 6/16/15 German Baroque New link: Fischer Musica Sacra 6/6/15 Bruckner +1CD Ozawa's 7th with the Saito Kinen Orchestra (2004) (Courtesy of Cecco) 5/27/15 Summer Nights #8 +2CD Mehta and the IPO, Brahms' 1st Symphony and Mozart Sinfonia Concertante K.364 5/27/15 Musique Française #2 +1CD Milhaud Piano Concertos + Carnaval d'Aix by C. Helffer and D. Robertson (1992) 5

The Well-Tempered Ear

August 9

Classical music: The second annual Madison New Music Festival will take place this Thursday through Sunday

By Jacob Stockinger The summer classical season in Madison just keeps getting busier and more interesting. The Ear has received the following announcement from Zachary Green (below), a native Madisonian and composer who graduated from Memorial High School and the Juilliard School , which awarded him a grant to start the first Madison New Music Festival last year. He now directs the event: Dear friends, family, colleagues, and mentors, I am extremely pleased to invite you to the second season of the Madison New Music Festival, taking place this Thursday-Saturday, Aug. 10-12. The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes. The festival strives to affordably and accessibly share music by the world’s leading living composers with the Madison community, with special emphasis placed on Wisconsin-based composers and performers. This year, over the course of four concerts, we will be featuring 30 performers playing the music of over 20 composers— including the music of a different living Wisconsin composer on every concert. The concerts will take place Thursday at the Madison Museum of Contemporary Art (8 p.m.), Friday at Bethel Lutheran Church (8 p.m., and Saturday at the Memorial Union Terrace (3 p.m.) and Robinia Courtyard (7:30 p.m.). PROGRAM AND TICKET INFORMATION: Thursday, Aug. 10, at 8 p.m., Madison Museum of Contemporary Art in the Overture Center. (Below is a photo at MMoCA from last year’s festival) After an incredibly successful launch in 2016, the Madison New Music Festival is set to return to MMoCA for a concert combining contemporary visual art and new music. The festival presents brand new pieces by emerging composers, underplayed classics of the contemporary repertoire, and shines a spotlight on new music created here in Wisconsin. The concert at MMoCA features music with thematic ties to MMoCA’s current exhibitions, including politically charged works such as “But I Still Believe” by composer Zachary Green and inspired by Hillary Clinton ’s concession speech, and “Drums of Winter ” from Pulitzer Prize-winning composer and environmentalist John Luther Adams (below). You can hear “Drums of Winter” in the YouTube video at the bottom. There will be a cash bar and opportunities to walk around the exhibits. Tickets are $10/$5 student/free for MMoCA members. Tickets: https://www.artful.ly/madison-new-music-festival/store/events/13011 Friday, Aug. 11, at 8 p.m. in Bethel Lutheran Church, 312 Wisconsin Avenue The festival’s second night features an eclectic range of music, from the inventive, folk-inspired music of Romanian composer Doina Rotaru (below top) to the improvisatory soundscapes of recently departed legend Pauline Oliveros (below bottom). Also featured is local composer Scott Gendel (below top)m , who will present a set of his own music with frequent Madison Opera guest soprano Emily Birsan (below middle), both graduates of the UW-Madison . Other performers include Chicago-based new music ensemble Chartreuse (below top), local flutist Iva Ugrcic (below middle) and local violinist Lydia Sewell (below bottom). ($10/$5 student) Tickets: https://www.artful.ly/madison-new-music-festival/store/events/13028 Saturday, Aug. 12, at 3 p.m., Memorial Union Terrace Local new music wind quintet Black Marigold (below top) will perform “Beer Music” by Brian DuFord (below bottom), inspired by different kinds of beer– and you can sip as you listen! But first, get your groove on with rhythmic works by emerging composer Andy Akiho (below top), Wilco drummer Glenn Kotche, and local percussionist Dave Alcorn (below bottom) of Clocks in Motion — interspersed with interactive interpretations of Renaissance motets and an electroacoustic work for vibraphone. Featured musicians include percussionist Garrett Mendelow and Chicago-based new music ensemble Chartreuse. Admission is FREE. Saturday, Aug. 12, at 7:30 PM, Robinia Courtyard (Jardin Restaurant) at 827 East Washington Avenue. Join us at Jardin Restaurant, part of the newly redeveloped Robinia Courtyard to hear local ensemble Mr. Chair (below) present an eclectic, head-banging set ranging from original compositions to versions of Erik Satie, Olivier Messiaen and Igor Stravinsky. Also featured are the genre-bending Echelon String Quartet(below) and a mesmerizing solo bass piece performed by Grant Blaschka. Cash bar. ($10/$5 student) Tickets: https://www.artful.ly/madison-new-music-festival/store/events/13029 Tagged: 2016 , acoustic music , alcorn , Andy Akiho , Art , Arts , bar , bass , Beer , beer music , Black Marigold , Brian DuFord , cash , Cello , Chamber music , Chartreuse , Chicago , church , Classical music , Clocks in Motion , colleague , composer , concerto , contemporary , courtyard , culture , Dave Alcorn , Doina Rotaru , double bass , Dramatic Soprano , drums , Drums of Winter , Echelon String Quartet , eclectic , Electronic music , Emily Birsan , environment , environmentalist , Family , festival , flute , Folk music , friend , Garrett Mendelow , Glenn Kotche , Grant Blaschka , high school , Hillary Clinton , Hillary Clinton presidential campaign , improvisation , interactive , interpretation , Iva Ugrcic , Jacob Stockinger , John Luther Adams , Juilliard School of Music , local , Lutheran , Lydia Sewell , Madison , Madison Museum of Contemporary Art , Madison New Music Festival , Madison Opera , Memorial High School , Memorial Union , mentor , Messiaen , motet , Mr Chair , Museum , Music , New Music , New York City , opera , Overture Center , Pauline Oliveros , percussion , Piano , Pulitzer Prize , Renaissance , repertoire , restaurant , rhythm , Romania , Satie , Scott Gendel , singer , Singing , Sonata , song , soundscape , speech , spotlight , Stravinsky , summer , symphony , terrace , ticket , Union Terrace , United States , University of Wisconsin-Madison School of Music , University of Wisconsin–Madison , Vibraphone , video , Viola , Violin , vocal music , Wilco , Wind quintet , winds , winter , Wisconsin , YouTube , Zachary Green

Igor Stravinsky
(1882 – 1971)

Igor Stravinsky (17 June 1882 - 6 April 1971) was a Russian-born, naturalized French, later naturalized American composer, pianist, and conductor. He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalized French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets: The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design. In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.



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